{"id":527,"date":"2019-03-31T12:26:58","date_gmt":"2019-03-31T12:26:58","guid":{"rendered":"http:\/\/www.semen-l.org\/?p=527"},"modified":"2020-11-18T19:06:28","modified_gmt":"2020-11-18T19:06:28","slug":"journees-detude-leonard-de-vinci-paris-4-5-avril","status":"publish","type":"post","link":"https:\/\/www.semen-l.org\/?p=527","title":{"rendered":"Journ\u00e9es d’\u00e9tude \u00ab\u00a0L\u00e9onard de Vinci\u00a0\u00bb, Paris, 4-5 avril"},"content":{"rendered":"\t\t
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La recherche actuelle sur les sources de l\u2019\u0153uvre de L\u00e9onard de Vinci, l\u2019analyse de son style litt\u00e9raire et la fortune de ses \u00e9crits conf\u00e8re un int\u00e9r\u00eat grandissant \u00e0 son vocabulaire technique (m\u00e9canique, optique et anatomique). Dans cette perspective, l\u2019\u00e9tude fine du lexique de la peinture ouvre des pistes innovantes sur les outils de travail de L\u00e9onard dans son atelier o\u00f9 se rencontrent et fusionnent \u00e9criture, technique, exp\u00e9riences et cr\u00e9ation figurative. Le glossaire pictural constitue ainsi le fil rouge reliant les sources \u00e9crites de L\u00e9onard (la \u00ab biblioth\u00e8que \u00bb perdue de l\u2019\u00e9crivain), \u00e0 ses propres r\u00e9flexions et \u00e0 leur mise en \u0153uvre ; il est aussi un fil conducteur permettant d\u2019\u00e9clairer la r\u00e9ception et la fortune des \u00e9crits de l\u2019artiste dans les trait\u00e9s d\u2019art successifs. La p\u00e9riode consid\u00e9r\u00e9e s\u2019\u00e9tendra du XIVe si\u00e8cle au d\u00e9but du XVIIe si\u00e8cle selon une approche interdisciplinaire associant historiens (de la litt\u00e9rature, de la langue et des arts) et sp\u00e9cialistes de la conservation de l\u2019\u0153uvre figurative de l\u2019artiste ; les documents seront abord\u00e9s dans leurs contextes culturel, social et artistique de production. Ces Journ\u00e9es d\u2019\u00e9tude parisiennes seront suivies d\u2019un Colloque international consacr\u00e9 aux textes sur la peinture, intitul\u00e9 : Leonardo da Vinci e gli scritti di pittura in Europa : fonti e ricezione qui aura lieu \u00e0 l\u2019Universit\u00e9 de Turin du 27 au 29 novembre 2019.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Cliquez sur l'image pour t\u00e9l\u00e9charger le programme.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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JEUDI 4 AVRIL 2019<\/p>

MAISON DE L’ITALIE<\/p>

\u00a0<\/p>

Session 1 : \u00ab L\u00e9onard et la peinture : mots, mat\u00e9riaux et techniques \u00bb<\/p>

Pr\u00e9sidence de M. Carlo Vecce, professeur \u00e0 l\u2019Universit\u00e0 di Napoli l\u2019Orientale, membre de la Commissione Vinciana<\/p>

\u00a0<\/p>

9h30\u00a0 : Introduction par M. Carlo Vecce, professeur \u00e0 l\u2019Universit\u00e0 di Napoli l\u2019Orientale,<\/p>

membre de la Commissione Vinciana<\/p>

10h-10h30 : Mme Angela Cerasuolo, restauratrice-conservatrice au Museo e Real Bosco di<\/p>

Capodimonte (Naples) : Su alcuni termini di Leonardo per materiali e procedimenti della pittura : per una storia del lessico tecnico<\/p>

10h30-11h : Mme \u00c9lisabeth Ravaud, responsable peintures de chevalet au d\u00e9partement<\/p>

Recherche du C2RMF du mus\u00e9e du Louvre : Du texte \u00e0 la peinture : les techniques picturales<\/p>

et leur vocabulaire \u00e0 la lumi\u00e8re des \u00e9tudes scientifiques<\/p>

11h-11h30 : M. Claudio Gulli, historien de l\u2019art au Palazzo Butera (Palerme) : Leonardo e la<\/p>

parola \u00ab cartone \u00bb<\/p>

11h30 : D\u00e9bat<\/p>

11h45-12h : Pause-caf\u00e9<\/p>

\u00a0<\/p>

***<\/p>

\u00a0<\/p>

Session 2 : \u00ab L\u00e9onard en perspective : visible et invisible \u00bb<\/p>

Pr\u00e9sidence de s\u00e9ance de M. Michel Hochmann, historien de l\u2019art et directeur d\u2019\u00e9tudes \u00e0<\/p>

l\u2019\u00c9cole pratique des Hautes \u00c9tudes<\/p>

\u00a0<\/p>

JEUDI 4 AVRIL 2019 Maison de l\u2019Italie<\/p>

Session 1 : \u00ab L\u00e9onard et la peinture : mots, mat\u00e9riaux et techniques \u00bb<\/p>

Pr\u00e9sidence de M. Carlo Vecce, professeur \u00e0 l\u2019Universit\u00e0 di Napoli l\u2019Orientale, membre de la Commissione Vinciana<\/p>

Session 3 : \u00ab Le Parall\u00e8le des arts et sa r\u00e9ception \u00bb<\/p>

Pr\u00e9sidence de s\u00e9ance de Mme Corinne Lucas Fiorato, professeur \u00e9m\u00e9rite \u00e0 l\u2019Universit\u00e9 Sorbonne<\/p>

Nouvelle Paris 3<\/p>

12h-12h30 : Mme Margherita Quaglino, chercheuse \u00e0 l\u2019Universit\u00e0 di Torino : \u00ab Superfitie ridotte<\/p>

in linie \u00bb. Invisibile e sensibile tra ottica e pittura<\/p>

12h30-13h00 : Mme Typhenn Le Guyader, doctorante et ATER \u00e0 l\u2019Universit\u00e9 Sorbonne<\/p>

Nouvelle Paris 3 : Des limites de la langue aux limites du visible : la nuit chez L\u00e9onard de Vinci<\/p>

13h : D\u00e9bat<\/p>

***<\/p>

\u00a0<\/p>

Session 3 : \u00ab Le Parall\u00e8le des arts et sa r\u00e9ception \u00bb<\/p>

Pr\u00e9sidence de s\u00e9ance de Mme Corinne Lucas Fiorato, professeur \u00e9m\u00e9rite \u00e0 l\u2019Universit\u00e9 Sorbonne<\/p>

Nouvelle Paris 3<\/p>

\u00a0<\/p>

15h-15h30 : Mme Eliana Carrara, chercheuse \u00e0 l\u2019Universit\u00e0 degli Studi del Molise : Il tema del<\/p>

Paragone da Leonardo a Varchi tra analisi lessicale e storia della tradizione manoscritta del<\/p>

Libro di pittura<\/p>

15h30-16h : Fr\u00e9d\u00e9rique Dubard de Gaillarbois, professeur \u00e0 l\u2019Universit\u00e9 de Paris IV-Sorbonne :<\/p>

\u00ab Versificatore e Poeta… Filosofo e Metafisico \u00bb, le L\u00e9onard varchien dans l\u2019Oraison fun\u00e8bre de<\/p>

Michel-Ange<\/p>

16h : D\u00e9bat<\/p>

\u00a0<\/p>

***<\/p>

\u00a0<\/p>

VENDREDI 5 AVRIL 2019<\/p>

Acad\u00e9mie des Inscriptions et Belles-Lettres<\/p>

Grande Salle des s\u00e9ances de l\u2019Institut de France<\/p>

\u00a0<\/p>

9h30 : Allocution d\u2019accueil de M. Pierre Laurens, membre de l\u2019Acad\u00e9mie des Inscriptions et BellesLettres<\/p>

\u00a0<\/p>

Session 4 : \u00ab La langue de la peinture et sa r\u00e9ception en Italie \u00bb<\/p>

Pr\u00e9sidence de s\u00e9ance : M. Pierre Laurens, membre de l\u2019Acad\u00e9mie des Inscriptions et Belles Lettres<\/p>

\u00a0<\/p>

9h45-10h15 : Mme Barbara Fanini, chercheuse postdoctorante \u00e0 l\u2019Universit\u00e0 degli Studi di<\/p>

Firenze, attach\u00e9e \u00e0 l\u2019Accademia della Crusca : \u00ab Revolutioni \u00bb d\u2019arte, \u00ab revolutioni \u00bb di lingua<\/p>

10h15-10h45 : Mme Stefania Tullio Cataldo, charg\u00e9e de recherche au mus\u00e9e du Louvre : Entre \u00ab ritratti \u00bb et \u00ab medaglie \u00bb, validit\u00e9 d\u2019une approche philologique dans l\u2019histoire de la pratique d\u2019atelier<\/p>

10h45 : D\u00e9bat<\/p>

11h : Pause-caf\u00e9<\/p>

\u00a0<\/p>

***<\/p>

Session 5 : \u00ab Lectures de L\u00e9onard en France \u00bb<\/p>

Pr\u00e9sidence de s\u00e9ance : M. Pierre Laurens, membre de l\u2019Acad\u00e9mie des Inscriptions et Belles Lettres<\/p>

\u00a0<\/p>

11h15-11h45 : Mme Anna Sconza, ma\u00eetre de conf\u00e9rences \u00e0 l\u2019Universit\u00e9 Sorbonne Nouvelle<\/p>

Paris 3 : D\u2019apr\u00e8s L\u00e9onard : termes critiques en filigrane dans les Conf\u00e9rences de l\u2019Acad\u00e9mie royale<\/p>

de Peinture et de Sculpture<\/p>

11h45-12h15 : Mme Laure Fagnart, chercheuse qualifi\u00e9e du F.R.S.-FNRS (Universit\u00e9 de Li\u00e8ge) :<\/p>

L\u00e9onard de Vinci dans les textes de th\u00e9orie de l\u2019art publi\u00e9s en France au XVIIe<\/p>

\u00a0si\u00e8cle. Propos choisis<\/p>

12h15 : D\u00e9bat<\/p>

12h30-15h : pr\u00e9sentation de l\u2019exposition des Carnets de L\u00e9onard par Mme Fran\u00e7oise B\u00e9rard,<\/p>

directeur de la Biblioth\u00e8que de l\u2019Institut de France (sur inscription)<\/p>

***<\/p>

\u00a0<\/p>

Session 5 : \u00ab Lectures de L\u00e9onard en France \u00bb<\/p>

Pr\u00e9sidence de s\u00e9ance : M. Pierre Laurens, membre de l\u2019Acad\u00e9mie des Inscriptions et Belles Lettres<\/p>

\u00a0<\/p>

11h15-11h45 : Mme Anna Sconza, ma\u00eetre de conf\u00e9rences \u00e0 l\u2019Universit\u00e9 Sorbonne Nouvelle<\/p>

Paris 3 : D\u2019apr\u00e8s L\u00e9onard : termes critiques en filigrane dans les Conf\u00e9rences de l\u2019Acad\u00e9mie royale<\/p>

de Peinture et de Sculpture<\/p>

11h45-12h15 : Mme Laure Fagnart, chercheuse qualifi\u00e9e du F.R.S.-FNRS (Universit\u00e9 de Li\u00e8ge) :<\/p>

L\u00e9onard de Vinci dans les textes de th\u00e9orie de l\u2019art publi\u00e9s en France au XVIIe<\/p>

\u00a0si\u00e8cle. Propos choisis<\/p>

12h15 : D\u00e9bat<\/p>

12h30-15h : pr\u00e9sentation de l\u2019exposition des Carnets de L\u00e9onard par Mme Fran\u00e7oise B\u00e9rard,<\/p>

directeur de la Biblioth\u00e8que de l\u2019Institut de France (sur inscription)<\/p>

\u00a0<\/p>

15h30 : s\u00e9ance publique de l\u2019Acad\u00e9mie des Inscriptions et Belles-Lettres sous la pr\u00e9sidence<\/p>

de M. Jean-No\u00ebl Robert, Pr\u00e9sident de l\u2019Acad\u00e9mie<\/p>

Communication de M. Carlo Vecce, professeur \u00e0 l\u2019Universit\u00e0 di Napoli l\u2019Orientale, sous le<\/p>

patronage de MM. Jean-No\u00ebl Robert, Pr\u00e9sident de de l\u2019Acad\u00e9mie, et Pierre Laurens, membre<\/p>

de l\u2019Acad\u00e9mie : Les livres et le temps : la biblioth\u00e8que de L\u00e9onard de Vinci<\/p>

Communication de M. Robert Halleux, associ\u00e9 \u00e9tranger de l\u2019Acad\u00e9mie : L\u00e9onard ing\u00e9nieur :<\/p>

la transgression technologique<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Comit\u00e9 scientifique : Lucia Bertolini, Eliana Carrara, Francesco P. Di Teodoro, Laure Fagnart,\nCorinne Lucas Fiorato, Giovanna Frosini, Michel Hochmann, Paola Manni, Enrico Mattioda,\nMargherita Quaglino, Matteo Residori, Piera Giovanna Tordella, Anna Sconza, Carlo Vecce\nComit\u00e9 d\u2019organisation : Michela Del Savio, Typhenn Le Guyader, Margherita Quaglino, Anna Sconza\n Contacts : paristurin2019@gmail.com; margherita.quaglino@unito.it ; anna.sconza@sorbonne-nouvelle.fr\nPartenaires scientifiques : Accademia della Crusca, Biblioteca Leonardiana \u2013 Centro di ricerca e\ndocumentazione per gli studi Leonardiani, \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts, Politecnico di Torino, Universit\u00e9 de Li\u00e8ge\nJourn\u00e9es organis\u00e9es avec le soutien de la Commission de la recherche et du D\u00e9partement\nd\u2019\u00e9tudes italiennes et roumaines de la Sorbonne Nouvelle Paris 3, de l\u2019Institut Fran\u00e7ais d\u2019Italie\net du Comitato nazionale per le Celebrazioni dei 500 anni dalla morte di Leonardo da Vinci<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

La recherche actuelle sur les sources de l\u2019\u0153uvre de L\u00e9onard de Vinci, l\u2019analyse de son style litt\u00e9raire et la fortune de ses \u00e9crits conf\u00e8re un int\u00e9r\u00eat grandissant \u00e0 son vocabulaire technique (m\u00e9canique, optique et anatomique). Dans cette perspective, l\u2019\u00e9tude fine … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":890,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[92,100,102,101],"class_list":["post-527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colloques","tag-art","tag-peinture","tag-theorie-de-lart","tag-leonard-de-vinci"],"yoast_head":"\nJourn\u00e9es d'\u00e9tude "L\u00e9onard de Vinci", Paris, 4-5 avril - Soci\u00e9t\u00e9 d'\u00c9tudes M\u00e9dio Et N\u00e9o-Latines<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.semen-l.org\/?p=527\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Journ\u00e9es d'\u00e9tude "L\u00e9onard de Vinci", Paris, 4-5 avril - Soci\u00e9t\u00e9 d'\u00c9tudes M\u00e9dio Et N\u00e9o-Latines\" \/>\n<meta property=\"og:description\" content=\"La recherche actuelle sur les sources de l\u2019\u0153uvre de L\u00e9onard de Vinci, l\u2019analyse de son style litt\u00e9raire et la fortune de ses \u00e9crits conf\u00e8re un int\u00e9r\u00eat grandissant \u00e0 son vocabulaire technique (m\u00e9canique, optique et anatomique). 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