{"id":504,"date":"2019-01-14T08:15:30","date_gmt":"2019-01-14T08:15:30","guid":{"rendered":"http:\/\/www.semen-l.org\/?p=504"},"modified":"2020-11-18T23:02:46","modified_gmt":"2020-11-18T23:02:46","slug":"colloque-la-page-monumentalisee-24-26-janvier","status":"publish","type":"post","link":"https:\/\/www.semen-l.org\/?p=504","title":{"rendered":"Colloque \u00ab\u00a0La page monumentalis\u00e9e\u00a0\u00bb (24-26 janvier)"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"504\" class=\"elementor elementor-504\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ad4c0a6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ad4c0a6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6cc6d57\" data-id=\"6cc6d57\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5847bb3 elementor-widget elementor-widget-image\" data-id=\"5847bb3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/01\/La-Page-Monumentalise%CC%81e-Programme-Web-DEF.pdf\">\n\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"556\" height=\"788\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/01\/pagemonumentaliseegd.jpg\" class=\"attachment-large size-large wp-image-932\" alt=\"\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/01\/pagemonumentaliseegd.jpg 556w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/01\/pagemonumentaliseegd-212x300.jpg 212w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/01\/pagemonumentaliseegd-141x200.jpg 141w\" sizes=\"(max-width: 556px) 100vw, 556px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Cliquez sur l'image pour t\u00e9l\u00e9charger le programme<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7eadc46 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7eadc46\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e63d1c4\" data-id=\"e63d1c4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7b9641c elementor-widget elementor-widget-text-editor\" data-id=\"7b9641c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><strong>Colloque organis\u00e9 par Roland B\u00e9har (ENS, PSL), Christine B\u00e9n\u00e9vent (ENC, PSL) et Virginie Leroux (EPHE, PSL) dans le cadre de l&rsquo;IRIS SCRIPTA, avec le soutien de l&rsquo;IEA de Paris, de l&rsquo;EPHE &#8211; PSL et de l&rsquo;ENS &#8211; PSL<br \/><br \/><\/strong><\/p><h3 style=\"margin-bottom: 10px; font-family: Georgia, 'Times New Roman', Times, serif; font-weight: 400; line-height: 29px; color: #000000; text-rendering: optimizelegibility; font-size: 16px; text-transform: none; letter-spacing: normal; font-style: normal;\"><strong>Pr\u00e9sentation<\/strong><\/h3><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">L\u2019inscription antique et son support monumental, de la pierre tombale \u00e0 l\u2019architecture, jouent un r\u00f4le important dans le renouvellement de la page manuscrite et imprim\u00e9e entre 1480 et 1550. Adoptant une perspective pluridisciplinaire de ce ph\u00e9nom\u00e8ne, le projet proposera un\u00a0<em>status qu\u00e6stionis\u00a0<\/em>et analysera la multiplicit\u00e9 de facteurs explicatifs, parmi lesquels se posera en particulier la question du pouvoir comme lieu de l\u00e9gitimation de cette esth\u00e9tique en m\u00eame temps que lieu ayant besoin de l\u2019aura d\u00e9gag\u00e9e par cette nouvelle modalit\u00e9 \u00e9ditoriale. Cette analyse envisagera la question depuis une pluralit\u00e9\u0301 de disciplines. La pal\u00e9ographie l\u2019examinera depuis les versants antique et m\u00e9di\u00e9val, afin de constituer un cadre g\u00e9n\u00e9ral, et l\u2019histoire de l\u2019art, par l\u2019histoire des miniatures, montrera comment la question se pose dans le manuscrit de la Renaissance, nourri de science antiquaire. Un second aspect sera celui des liens entre mise en page et cr\u00e9ation du texte : la question se pose des lors que l\u2019on consid\u00e8re les liens fr\u00e9quents entre humanistes, po\u00e8tes et imprimeurs, qui induisent souvent une grande cr\u00e9ativit\u00e9 pour les imprimeurs et qui diffusent l\u2019esth\u00e9tique\u00a0<em>all\u2019antica\u00a0<\/em>en m\u00eame temps qu\u2019ils g\u00e9n\u00e9ralisent l\u2019emploi des caract\u00e8res italiques. Un troisi\u00e8me aspect, enfin, est celui de la relation a\u0300 l\u2019image de l\u2019inscription (\u00e9pigraphique ou numismatique) pr\u00e9sente dans le texte, dont le succ\u00e8s de l\u2019embl\u00e9matique n\u2019est que l\u2019une des cons\u00e9quences.<br \/><br \/><\/p><h3 style=\"margin-bottom: 10px; font-family: Georgia, 'Times New Roman', Times, serif; font-weight: 400; line-height: 29px; color: #000000; text-rendering: optimizelegibility; font-size: 16px; text-transform: none; letter-spacing: normal; font-style: normal;\">\u00a0<\/h3><hr style=\"margin-top: 20px; margin-bottom: 20px; border-top: 1px solid rgba(185, 184, 184, 0.3); box-sizing: content-box; height: 0px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; background-color: #ffffff;\" \/><h3 style=\"margin-bottom: 10px; font-family: Georgia, 'Times New Roman', Times, serif; font-weight: 400; line-height: 29px; color: #000000; text-rendering: optimizelegibility; font-size: 16px; text-transform: none; letter-spacing: normal; font-style: normal;\"><strong>Programme<\/strong><\/h3><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><br \/><span style=\"font-size: 14pt;\"><strong><br \/>Jeudi 24 janvier<\/strong><\/span><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><br \/>9:30\u00a0\u00a0 Accueil des participants<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">9:45\u00a0\u00a0\u00a0<strong>Introduction<\/strong><br \/><br \/><span style=\"font-size: 1em; text-decoration-line: underline;\"><strong>Session 1<br \/><\/strong><\/span>Pr\u00e9sidence : Brigitte Mondrain (EPHE-PSL, SAPRAT, Paris)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">10:10\u00a0\u00a0\u00a0<em><strong>\u00ab\u00a0Mise en valeur du message et recherche esth\u00e9tique dans les inscriptions latines de l&rsquo;\u00e9poque imp\u00e9riale\u00a0\u00bb<\/strong><\/em><br \/>Fran\u00e7ois B\u00e9rard (ENS \/ EPHE-PSL, Paris)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">11:10\u00a0\u00a0 Pause<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">11:25\u00a0\u00a0\u00a0<em><strong>\u00ab\u00a0Pr\u00e9sentation d&rsquo;un projet interdisciplinaire sur la transposition et la monumentalisation de l&rsquo;\u00e9criture \u00e0 l&rsquo;\u00e9poque pr\u00e9moderne\u00a0\u00bb<\/strong><\/em><br \/>Christelle Alvarez (SFB 980, Freie Universit\u00e4t Berlin \/ CMTC, University of Oxford)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">11:45\u00a0\u00a0\u00a0<strong>Discussion<\/strong><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><br \/><span style=\"font-size: 1em; text-decoration-line: underline;\"><strong>Session 2<br \/><\/strong><\/span>Pr\u00e9sidence : Isabelle Pantin (ENS-PSL, IHMC, Paris)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">14:00\u00a0\u00a0\u00a0<em><strong>\u00ab\u00a0La majest\u00e9 du livre : \u00e9volution de la mise en page sous le r\u00e8gne de Fran\u00e7ois I<span style=\"position: relative; font-size: 9px; line-height: 0; top: -0.5em;\">er<\/span><strong>\u00ab\u00a0<\/strong><\/strong><\/em><br \/>R\u00e9mi Jimenes (CESR, Universit\u00e9 de Tours)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">15:00\u00a0\u00a0 Pause<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">15:30\u00a0\u00a0\u00a0<em><strong>\u00ab\u00a0Les manuscrits \u00e9pigraphiques annot\u00e9s et illustr\u00e9s : sources et mod\u00e8les des \u00e9ditions de livres d&rsquo;antiquit\u00e9s romaines ?\u00a0\u00bb<\/strong><\/em><br \/>Anne Raffarin (Sorbonne Universit\u00e9, Paris)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">16:00\u00a0\u00a0\u00a0<em><strong>\u00ab\u00a0\u00c9crire comme sur du marbre. Anton Francesco Doni entre manuscrits et imprimerie\u00a0\u00bb<\/strong><\/em><br \/>Carlo-Alberto Girotto (Universit\u00e9 Sorbonne Nouvelle &#8211; Paris 3)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">16:30\u00a0\u00a0\u00a0<strong>Discussion<\/strong><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">\u00a0<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Vendredi 25 janvier<\/strong><\/span><br \/><br \/><br \/><span style=\"font-size: 1em; text-decoration-line: underline;\"><strong>Session 3<br \/><\/strong><\/span>Pr\u00e9sidence : Christine B\u00e9n\u00e9vent (ENC-PSL, Paris)<span style=\"font-size: 1em; text-decoration-line: underline;\"><strong><br \/><\/strong><\/span><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">9:30 \u00a0\u00a0<em><strong>\u00ab\u00a0Quand les enlumineurs r\u00e9inventent l\u2019Antiquit\u00e9. Frontispices architecturaux et lettres capitales de Padoue \u00e0 Naples\u00a0\u00bb<\/strong><\/em><br \/>Gennaro Toscano (Biblioth\u00e8que nationale de France, Paris)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">10:35 \u00a0 Pause<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><span style=\"font-size: 1em; text-decoration-line: underline;\"><strong>Session 4<br \/><\/strong><\/span>Pr\u00e9sidence : Roland B\u00e9har (ENS-PSL, Paris)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">10:50 \u00a0\u00a0<em><strong>\u00ab\u00a0La &lsquo;mise en page&rsquo; del libro incunable\u00a0<span class=\"st\" style=\"font-size: 1em;\"><em>espa\u00f1ol<\/em><\/span>\u00a0: coincidencias y diferencias con los modelos\u00a0<span class=\"st\" style=\"font-size: 1em;\"><em>epigr\u00e1fico<\/em><\/span>s del libro humanista\u00a0\u00bb<\/strong><\/em><br \/>Benito Rial Costas (Universidad Complutense, Madrid)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">11:20 \u00a0\u00a0<strong><em>\u00ab\u00a0Textos triunfales: formas de lo cl\u00e1sico en el reino de Castilla (1450-1520)\u00a0\u00bb<br \/><\/em><\/strong>Juan Miguel Valero Moreno (Universidad de Salamanca)<strong><em><br \/><\/em><\/strong><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">11:50\u00a0\u00a0\u00a0<strong>Discussion<\/strong><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><br \/><span style=\"font-size: 1em; text-decoration-line: underline;\"><strong>Session 5<br \/><\/strong><\/span>Pr\u00e9sidence : Virginie Leroux (EPHE, PSL, SAPRAT, Paris)<span style=\"font-size: 1em; text-decoration-line: underline;\"><strong><br \/><\/strong><\/span><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">14:15 \u00a0\u00a0<em><strong>\u00ab\u00a0Un monument plus durable que l&rsquo;airain. Les rapports entre architecture et typographie dans la premi\u00e8re moiti\u00e9 du XVI<span style=\"position: relative; font-size: 9px; line-height: 0; top: -0.5em;\">e<\/span>\u00a0si\u00e8cle\u00a0\u00bb<\/strong><\/em><br \/>Olivier Deloignon (Universit\u00e9 de Strasbourg)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">14:45\u00a0\u00a0\u00a0<em><strong>\u00ab\u00a0Du Bellay et la tradition de l&rsquo;inscription tumulaire dans les\u00a0<\/strong><\/em><strong>Poemata<\/strong><em><strong>\u00ab\u00a0<\/strong><\/em><br \/>Michel Magnien (Universit\u00e9 Sorbonne Nouvelle &#8211; Paris 3)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">15:15\u00a0\u00a0\u00a0<strong>Discussion<\/strong><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">15:30\u00a0\u00a0 Pause<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><br \/><span style=\"font-size: 1em; text-decoration-line: underline;\"><strong>Session 6<br \/><\/strong><\/span>Pr\u00e9sidence : Jean-Louis Haquette (CRIMEL, Universit\u00e9 de Reims)<span style=\"font-size: 1em; text-decoration-line: underline;\"><strong><br \/><\/strong><\/span><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">15:45 \u00a0\u00a0<em><strong>\u00ab\u00a0Portique ou tableau ? Le frontispice dans les anciens Pays-Bas \u00e0 la charni\u00e8re des XVI<span style=\"position: relative; font-size: 9px; line-height: 0; top: -0.5em;\">e<\/span>\u00a0et XVII<span style=\"position: relative; font-size: 9px; line-height: 0; top: -0.5em;\">e<\/span>\u00a0si\u00e8cles\u00a0\u00bb<\/strong><\/em><br \/>Ralph Dekoninck (GEMCA, Universit\u00e9 de Louvain-la-Neuve)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">16:15 \u00a0\u00a0<em><strong>\u00ab\u00a0La grammaire monumentale de l&rsquo;Imprimerie royale au XVII<span style=\"position: relative; font-size: 9px; line-height: 0; top: -0.5em;\">e<\/span>\u00a0si\u00e8cle<\/strong><\/em><em><strong>\u00ab\u00a0<\/strong><\/em><br \/>Jean-Marc Chatelain (Biblioth\u00e8que nationale de France, Paris)<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">16:45\u00a0\u00a0\u00a0<strong>Discussion<\/strong><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\">\u00a0<\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><span style=\"font-size: 10pt;\"><strong>Le colloque sera suivi, \u00e0 18:00, d&rsquo;une pr\u00e9sentation d&rsquo;ouvrages \u00e0 la Biblioth\u00e8que Mazarine par Yann Sordet (Biblioth\u00e8que Mazarine) et Florine Levecque (Biblioth\u00e8que Mazarine)<\/strong><\/span><\/p><p style=\"margin-bottom: 20px; line-height: 22px; color: #000000; font-family: helvetica, arial, sans-serif; font-size: 12px; font-style: normal; font-weight: 400;\"><span style=\"font-size: 10pt;\"><strong>La troisi\u00e8me journ\u00e9e du colloque, \u00ab\u00a0Questions autour de la page\u00a0\u00bb se tiendra \u00e0 l&rsquo;ENS, 45 rue d&rsquo;Ulm (Salle Dussane), le samedi 26 janvier<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>L\u2019inscription antique et son support monumental, de la pierre tombale \u00e0 l\u2019architecture, jouent un r\u00f4le important dans le renouvellement de la page manuscrite et imprim\u00e9e entre 1480 et 1550. Adoptant une perspective pluridisciplinaire de ce ph\u00e9nom\u00e8ne, le projet proposera un status qu\u00e6stionis et analysera la multiplicit\u00e9 de facteurs explicatifs, parmi lesquels se posera en particulier la question du pouvoir comme lieu de l\u00e9gitimation de cette esth\u00e9tique en m\u00eame temps que lieu ayant besoin de l\u2019aura d\u00e9gag\u00e9e par cette nouvelle modalit\u00e9 \u00e9ditoriale. <a href=\"https:\/\/www.semen-l.org\/?p=504\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[161,165,168,162,154,163,158,164,160,171,166,156,159,153,157,152,170,169,155,167],"class_list":["post-504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colloques","tag-annotation","tag-architecture","tag-du-bellay-joachim","tag-doni-anton-francesco","tag-edition-bilingue","tag-enluminure","tag-epigraphie","tag-frontispice","tag-illustration","tag-imprimerie","tag-incunable","tag-inscription","tag-manuscrit","tag-mise-en-page","tag-monument","tag-page","tag-portique","tag-tableau","tag-tory-geoffroy","tag-typographie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Colloque &quot;La page monumentalis\u00e9e&quot; (24-26 janvier) - Soci\u00e9t\u00e9 d&#039;\u00c9tudes M\u00e9dio Et N\u00e9o-Latines<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.semen-l.org\/?p=504\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Colloque &quot;La page monumentalis\u00e9e&quot; (24-26 janvier) - Soci\u00e9t\u00e9 d&#039;\u00c9tudes M\u00e9dio Et N\u00e9o-Latines\" \/>\n<meta property=\"og:description\" content=\"L\u2019inscription antique et son support monumental, de la pierre tombale \u00e0 l\u2019architecture, jouent un r\u00f4le important dans le renouvellement de la page manuscrite et imprim\u00e9e entre 1480 et 1550. Adoptant une perspective pluridisciplinaire de ce ph\u00e9nom\u00e8ne, le projet proposera un status qu\u00e6stionis et analysera la multiplicit\u00e9 de facteurs explicatifs, parmi lesquels se posera en particulier la question du pouvoir comme lieu de l\u00e9gitimation de cette esth\u00e9tique en m\u00eame temps que lieu ayant besoin de l\u2019aura d\u00e9gag\u00e9e par cette nouvelle modalit\u00e9 \u00e9ditoriale. 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Adoptant une perspective pluridisciplinaire de ce ph\u00e9nom\u00e8ne, le projet proposera un status qu\u00e6stionis et analysera la multiplicit\u00e9 de facteurs explicatifs, parmi lesquels se posera en particulier la question du pouvoir comme lieu de l\u00e9gitimation de cette esth\u00e9tique en m\u00eame temps que lieu ayant besoin de l\u2019aura d\u00e9gag\u00e9e par cette nouvelle modalit\u00e9 \u00e9ditoriale. 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