{"id":4370,"date":"2026-10-07T17:15:37","date_gmt":"2026-10-07T17:15:37","guid":{"rendered":"https:\/\/www.semen-l.org\/?p=4370"},"modified":"2026-10-07T17:30:36","modified_gmt":"2026-10-07T17:30:36","slug":"de-la-norme-a-loeuvre-election-et-fonctions-des-canons-dauteurs-et-dartistes-antiques-de-lantiquite-a-nos-jours","status":"publish","type":"post","link":"https:\/\/www.semen-l.org\/?p=4370","title":{"rendered":"De la norme \u00e0 l\u2019\u0153uvre : \u00e9lection et fonctions des canons d\u2019auteurs et d\u2019artistes antiques de l\u2019Antiquit\u00e9 \u00e0 nos jours"},"content":{"rendered":"
De la norme \u00e0 l\u2019\u0153uvre<\/a><\/div>\n

La SEMEN-L a le plaisir de vous informer de la tenue du colloque De la norme \u00e0 l\u2019\u0153uvre : \u00e9lection et fonctions des canons d\u2019auteurs et d\u2019artistes antiques de l\u2019Antiquit\u00e9 \u00e0 nos jours \u00e0 Paris les 14, 15 et 16 octobre 2026.<\/p>\n

14 OCTOBRE 2026 | 13H30-17H30<\/p>\n

INHA, SALLE GIORGIO VASARI | 2, RUE VIVIENNE 75002 PARIS<\/p>\n

15 OCTOBRE 2026 | 9H-17H<\/p>\n

SORBONNE, BIBLIOTH\u00c8QUE DE L\u2019UFR DE LATIN (ESCALIER E, 3e<\/sup> \u00c9TAGE) | 17, RUE DE LA SORBONNE 75005 PARIS<\/p>\n

16 OCTOBRE 2026 | 8H45-12H<\/p>\n

MAISON DE LA RECHERCHE, AMPHI MOLINI\u00c9 | 28, RUE SERPENTE 75006 PARIS<\/p>\n

Organisation : Louis Autin (UR 4081 \/ IUF), Emmanuelle Rosso (UR 4081), \u00c9milie S\u00e9ris (UR 4081 \/ IUF) Inscription pour les ext\u00e9rieur\u2219e\u2219s :\u00a0 louis.autin@sorbonne-universite.fr<\/a><\/p>\n\n\n\n\n\n\n\n
MERCREDI 14 OCTOBRE 2026\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>INHA, salle Giorgio Vasari<\/td>\n<\/tr>\n
13h30<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Accueil des participants<\/em><\/td>\n<\/tr>\n
13h45<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Ouverture du colloque<\/em><\/td>\n<\/tr>\n
SESSION 1 <\/strong>: canons d\u2019artistes et d\u2019auteurs grecs \u00e0 Rome<\/td>\n<\/tr>\n
Mod\u00e9ration : Louis Autin<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

14h00\u201314h25\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u00e9lanie LABERN\u00c8DE <\/strong>(SU)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kal\u00e9idoscope virgilien : l\u2019insaisissable canon des G\u00e9orgiques<\/em><\/p>\n

14h25\u201314h50\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Claire P\u00c9REZ (SU)<\/strong><\/p>\n

M\u00e9lissa LEUZY <\/strong>(Bourgogne Europe)<\/p>\n

14h50\u201315h15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Guillemette M\u00c9ROT <\/strong>(Sainte-Marie<\/p>\n

\u2013 Neuilly)<\/p>\n

De la source \u00e0 la norme historiographique : le canon des historiens d\u2019Alexandre le Grand \u00e0 l\u2019\u00e9poque imp\u00e9riale<\/p>\n

Reconfiguration et adaptation des canons litt\u00e9raires grecs \u00e0 l\u2019\u00e9poque flavienne au livre X de l\u2019Institution oratoire<\/em><\/p>\n

\u00a0<\/em><\/p>\n\n\n\n\n\n
15h15\u201315h40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n
15h40\u201316h00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Pause-caf\u00e9<\/em><\/td>\n<\/tr>\n
Mod\u00e9ration : Emmanuelle Rosso<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/em><\/p>\n\n\n\n\n
16h00\u201316h25<\/strong><\/td>\nSofia GAZEA <\/strong>(SU)<\/td>\nL\u2019imitatio <\/em>des mod\u00e8les grecs chez les dramaturges mineurs romains : le cas d\u2019Atilius<\/td>\n<\/tr>\n
16h25\u201316h50<\/strong><\/td>\nSandrine PEYRAT <\/strong>(SU)<\/td>\nDe l\u2019original grec \u00e0 la r\u00e9plique romaine : formes et modalit\u00e9s d\u2019usage du type Kor\u00e8 dans la statuaire f\u00e9minine d\u2019\u00e9poque imp\u00e9riale<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/em><\/p>\n\n\n\n
16h50\u201317h15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/em><\/p>\n\n\n\n\n\n\n
JEUDI 15 OCTOBRE 2026\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Sorbonne, biblioth\u00e8que de l\u2019UFR de Latin<\/td>\n<\/tr>\n
9h00<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Accueil-caf\u00e9<\/em><\/td>\n<\/tr>\n
SESSION 2 <\/strong>: constitution de canons classiques romains<\/td>\n<\/tr>\n
Mod\u00e9ration : Claire P\u00e9rez<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/em><\/strong>9h15\u20139h40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Val\u00e9rie NAAS (SU)<\/p>\n

Eva FALASCHI <\/strong>(T\u00fcbingen)<\/p>\n

R\u00e9ception et transformation des canons d\u2019artistes chez Pline l\u2019Ancien<\/p>\n

 <\/p>\n

9h40\u201310h05<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Julian PARIS <\/strong>(SU)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tibulle, un auteur canonique sans canon ? Remarques sur un silence<\/p>\n\n\n\n\n\n
10h05\u201310h20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n
10h20\u201310h45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Pause-caf\u00e9<\/em><\/td>\n<\/tr>\n
Mod\u00e9ration : Val\u00e9rie Naas<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n
10h45\u201311h10<\/strong><\/td>\nEmmanuelle ROSSO <\/strong>(SU)<\/td>\nDes mod\u00e8les canoniques aux cr\u00e9ations \u00ab \u00e9clectiques \u00bb : retour sur la mise en \u0153uvre des styles grecs dans la sculpture romaine<\/td>\n<\/tr>\n
11h10\u201311h35<\/strong><\/td>\nVincent GRAF <\/strong>(Leipzig)<\/td>\nAuctores in ordinem redigere<\/em>. How the Romans Put Together Their Canon (and Why It\u2019s Different from Ours)<\/td>\n<\/tr>\n
11h35\u201312h00<\/strong><\/td>\nLouis AUTIN <\/strong>(SU)<\/td>\nSallustii, Liuii, Taciti, Trogi <\/em>(SHA<\/em>, Prob.<\/em>, 2.6) : r\u00e9flexions sur le canon historiographique dans l\u2019Antiquit\u00e9 tardive<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
12h00\u201312h25\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n
JEUDI 15 OCTOBRE 2026 (SUITE)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Sorbonne, biblioth\u00e8que de l\u2019UFR de Latin<\/td>\n<\/tr>\n
12h30\u201314h30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>D\u00e9jeuner<\/em><\/td>\n<\/tr>\n
SESSION 3 <\/strong>: adaptation des canons classiques \u00e0 la Renaissance<\/td>\n<\/tr>\n
Mod\u00e9ration : Florian Schaffenrath<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
14h30\u201314h55<\/strong><\/td>\nLucas FONSECA <\/strong>(SU)<\/td>\nLa Querelle de l\u2019Hermaphroditus <\/em>d\u2019Antonio Beccadelli : probl\u00e9matisation morale de l\u2019obsc\u00e9nit\u00e9 litt\u00e9raire et mise en discussion du canon<\/td>\n<\/tr>\n
14h55\u201315h20<\/strong><\/td>\n\u00c9milie S\u00c9RIS <\/strong>(SU)<\/td>\nLe De poetis latinis <\/em>de Pietro Crinito (1505) : un canon pour la po\u00e9sie n\u00e9olatine ?<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n
15h20\u201315h35\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n
15h35\u201315h55\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Pause-caf\u00e9<\/em><\/td>\n<\/tr>\n
Mod\u00e9ration : \u00c9lo\u00efse Letellier-Taillefer<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
15h55\u201316h20<\/strong><\/td>\nFlorian SCHAFFENRATH <\/strong>(Innsbruck)<\/td>\nLes commentaires humanistes comme sources de la Kanonforschung <\/em>historique<\/td>\n<\/tr>\n
16h20\u201316h45<\/strong><\/td>\nFlaminia BARDATI <\/strong>(La Sapienza)<\/td>\n\u00ab Ipsa ruina docet <\/em>\u00bb : \u00e9tudier l\u2019Antiquit\u00e9 \u00e0 la Renaissance<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
16h45\u201317h00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n
VENDREDI 16 OCTOBRE 2026\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Maison de la Recherche, amphi Molini\u00e9<\/td>\n<\/tr>\n
8h45<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Accueil-caf\u00e9<\/em><\/td>\n<\/tr>\n
SESSION 4 <\/strong>: enjeux modernes des canons classiques<\/td>\n<\/tr>\n
Mod\u00e9ration : \u00c9milie S\u00e9ris<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

9h00\u20139h25\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lor\u00e8ne BELLANGER <\/strong>(Caen-Normandie)<\/p>\n

Les canons de po\u00e8tes latins au XVIIe si\u00e8cle : un enjeu de la querelle des Anciens et des Modernes<\/p>\n

9h25\u20139h50\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Delphine CARRANGEOT <\/strong>(UVSQ)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Louis XIV et les collections royales d\u2019antiques. Les canons<\/p>\n

gr\u00e9co-romains \u00e0 l\u2019\u00e9preuve des strat\u00e9gies d\u2019acquisition au Grand Si\u00e8cle<\/p>\n\n\n\n\n\n
9h50\u201310h05\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n
10h05\u201310h25\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Pause-caf\u00e9<\/em><\/td>\n<\/tr>\n
Mod\u00e9ration : Louis Autin<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/em><\/strong>10h25\u201310h50\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Guillaume FLAMERIE DE<\/p>\n

LACHAPELLE <\/strong>(Bordeaux-Montaigne)<\/p>\n

L\u2019\u00e9volution du canon classique \u00e0 la lumi\u00e8re des collections d\u2019auteurs latins dans la premi\u00e8re partie du XIXe si\u00e8cle<\/p>\n

10h50\u201311h15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Daniel SUTTON <\/strong>(Cambridge)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Classical Texts in Anglophone \u00ab Great Books \u00bb Programs in the<\/p>\n

Late Twentieth and Early Twenty-First Centuries<\/p>\n\n\n\n\n
11h15\u201311h40\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Discussion<\/em><\/td>\n<\/tr>\n
11h40\u201312h00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Conclusions<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

La SEMEN-L a le plaisir de vous informer de la tenue du colloque De la norme \u00e0 l\u2019\u0153uvre : \u00e9lection et fonctions des canons d\u2019auteurs et d\u2019artistes antiques de l\u2019Antiquit\u00e9 \u00e0 nos jours \u00e0 Paris les 14, 15 et 16 … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[2137,215,92,2700,1430,2702,1344,1438,2708,81,1353,2705,691,1471,1340,2704,1187,1842,144,348,1398,2707,2710,2703,680,26,2706,78,1570,231,2485,267,1297,1771,379,371,2701,2709,54],"class_list":["post-4370","post","type-post","status-publish","format-standard","hentry","category-colloques","tag-adaptation","tag-alexandre-le-grand","tag-art","tag-atilius","tag-auteur","tag-beccadelli-antonio","tag-canon","tag-classicisme","tag-collectionnisme","tag-commentaire","tag-crinito-pietro","tag-de-poetis-latinis-pietro-crinito","tag-femmes","tag-georgique-genre","tag-georgiques-virgile","tag-hermaphroditus-antonio-beccadelli","tag-histoire","tag-historiographie","tag-humanisme","tag-imitation","tag-institutio-oratoria","tag-louis-xiv","tag-louvre","tag-obscenite","tag-pline-lancien","tag-poesie","tag-querelle-des-anciens-et-des-modernes","tag-quintilien","tag-salluste","tag-sculpture","tag-source","tag-stylistique","tag-tacite","tag-tibulle","tag-tite-live","tag-traduction","tag-trogue-pompee","tag-versailles","tag-virgile"],"yoast_head":"\nDe la norme \u00e0 l\u2019\u0153uvre : \u00e9lection et fonctions des canons d\u2019auteurs et d\u2019artistes antiques de l\u2019Antiquit\u00e9 \u00e0 nos jours - 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