{"id":1504,"date":"2020-11-25T01:23:23","date_gmt":"2020-11-25T01:23:23","guid":{"rendered":"http:\/\/www.semen-l.org\/?page_id=1504"},"modified":"2026-01-24T19:06:58","modified_gmt":"2026-01-24T19:06:58","slug":"volumes-collectifs-de-la-semen-l","status":"publish","type":"page","link":"https:\/\/www.semen-l.org\/?page_id=1504","title":{"rendered":"Volumes collectifs de la SEMEN-L"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1504\" class=\"elementor elementor-1504\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e76b72f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e76b72f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8ca1b8a\" data-id=\"8ca1b8a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4a54264 elementor-widget elementor-widget-text-editor\" data-id=\"4a54264\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Cette page en travaux comportera prochainement la pr\u00e9sentation et le sommaire des actes des congr\u00e8s de la SEMEN-L.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-52415f9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"52415f9\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5e5b894\" data-id=\"5e5b894\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3c04543 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"3c04543\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"#congres1\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-chevron-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Premier congr\u00e8s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"#congres2\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-chevron-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Deuxi\u00e8me congr\u00e8s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"#congres3\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-chevron-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Troisi\u00e8me congr\u00e8s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"#congres4\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-chevron-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Quatri\u00e8me congr\u00e8s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"#congres5\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-chevron-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Cinqui\u00e8me congr\u00e8s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"#congres6\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-chevron-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Sixi\u00e8me congr\u00e8s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"#congres7\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-chevron-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Septi\u00e8me congr\u00e8s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-53937da elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"53937da\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d73d224\" data-id=\"d73d224\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2802431 elementor-widget elementor-widget-menu-anchor\" data-id=\"2802431\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"menu-anchor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-menu-anchor\" id=\"congres1\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-86cfcb5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"86cfcb5\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4aca889\" data-id=\"4aca889\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e5b4b3c elementor-widget elementor-widget-heading\" data-id=\"e5b4b3c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Actes du premier congr\u00e8s : Le profane et le Sacr\u00e9 dans la culture latine du Ve si\u00e8cle au XVIIe si\u00e8cle<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a99761f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a99761f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-bfa7b1c\" data-id=\"bfa7b1c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2105626 elementor-widget elementor-widget-text-editor\" data-id=\"2105626\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"font-family: Roboto, sans-serif; font-style: normal; font-weight: 400;\"><span style=\"font-family: Roboto, sans-serif; font-size: 14px; font-style: normal; font-weight: 400; color: var( --e-global-color-text );\">Sous la direction de Caroline Heid, Marc Deramaix et Olivier P\u00e9deflous<\/span><\/p><p style=\"font-family: Roboto, sans-serif; font-style: normal; font-weight: 400;\">\u21d2 Actes parus aux Classiques Garnier\u00a0<a style=\"font-size: 14px;\" href=\"https:\/\/classiques-garnier.com\/le-profane-et-le-sacre-dans-l-europe-latine-ve-xvie-siecles.html\" target=\"_blank\" rel=\"noopener noreferrer\">(lien).<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-d1c1e89\" data-id=\"d1c1e89\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7d0d6b1 elementor-widget elementor-widget-image\" data-id=\"7d0d6b1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"584\" height=\"299\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/colloque-profane-defile.jpg\" class=\"attachment-large size-large wp-image-1328\" alt=\"\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/colloque-profane-defile.jpg 585w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/colloque-profane-defile-300x154.jpg 300w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/colloque-profane-defile-200x103.jpg 200w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/colloque-profane-defile-500x256.jpg 500w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a05e629 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a05e629\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-267920d\" data-id=\"267920d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8715e00 elementor-align-right elementor-widget elementor-widget-button\" data-id=\"8715e00\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/classiques-garnier.com\/le-profane-et-le-sacre-dans-l-europe-latine-ve-xvie-siecles-resumes.html?displaymode=full\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"far fa-circle\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">R\u00e9sum\u00e9 des articles (Classiques Garnier)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-17a7e5c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"17a7e5c\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b630b58\" data-id=\"b630b58\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-766329a elementor-widget elementor-widget-text-editor\" data-id=\"766329a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>TABLE DES MATI\u00c8RES<\/strong><\/p><p>Marc Deramaix et Olivier P\u00e9deflous : Introduction<\/p><p>Pascale Bourgain : Prologue. Le lexique du profane et du sacr\u00e9 au Moyen \u00c2ge.<\/p><p><strong>PREMI\u00c8RE PARTIE : LE TR\u00d4NE, LA VILLE ET L\u2019AUTEL. SOCI\u00c9T\u00c9, ID\u00c9AUX, ANTHROPOLOGIE<\/strong><\/p><p>Simone Viarre : Le profane et le sacr\u00e9 dans l\u2019\u00c9pop\u00e9e de Paderborn.<\/p><p>Marie-Genevi\u00e8ve Grossel : Les espaces du sacr\u00e9 \u00e0 l\u2019\u00e9preuve de la traduction. La translation des Vitae Patrum pour Blanche de Navarre, r\u00e9gente (1201-1222) du comt\u00e9 de Champagne.<\/p><p>Florent Coste : La confusion du spirituel et du temporel. Judas, Simon le Magicien et la simonie au xiiie si\u00e8cle.<\/p><p>Anne Raffarin : Les fonctions de la litt\u00e9rature chr\u00e9tienne dans la reconstruction de la Rome pa\u00efenne. Le cas particulier du Liber pontificalis.<\/p><p>Sandra Provini : Sacralisation et glorification des guerres d\u2019Italie par les po\u00e8tes des cours de Charles VIII et de Louis XII.<\/p><p>Nathalie Catellani : La figure du Prince dans l\u2019\u0153uvre de George Buchanan. De l\u2019\u00e9piphanie au tyrannicide ?<\/p><p>Carine Ferradou : Le De Iure regni apud Scotos de George Buchanan (1579). Une conception s\u00e9cularis\u00e9e de la politique ?<\/p><p>Catherine Langlois-P\u00e9zeret : \u00c9tienne Dolet, humaniste la\u00efc.<\/p><p><strong>DEUXI\u00c8ME PARTIE : \u00c0 L\u2019\u00c9COLE DU PROFANE ET DU SACR\u00c9<\/strong><\/p><p>Louise Katz : La lecture morale de l\u2019Antiquit\u00e9 profane dans le projet \u00e9ditorial de Josse Bade.<\/p><p>Tristan Vigliano : Sacr\u00e9, profane, th\u00e9ologie, philosophie. Quelques figures de la retusio dans le De disciplinis de Jean-Louis Viv\u00e8s.<\/p><p><strong>TROISI\u00c8ME PARTIE : FORMES DE L\u2019\u00c9VANG\u00c9LISATION GENRES EN MOUVEMENT<\/strong><\/p><p>Jean-Yves Tilliette : L\u2019hymnographie des saints, d\u2019Augustin d\u2019Hippone \u00e0 Thomas d\u2019Aquin<\/p><p>\u00c9vrard Delbey : La probl\u00e9matique du profane et du sacr\u00e9 est-elle pertinente dans les \u00e9l\u00e9gies chr\u00e9tiennes de Venance Fortunat ?<\/p><p>Olivier Szerwiniack : Sacr\u00e9 et profane dans le psautier de Luttrell.<\/p><p>Gis\u00e8le Besson : Vrais et \u00ab faux \u00bb th\u00e9ologiens. Le champ de la th\u00e9ologie dans une r\u00e9\u00e9criture m\u00e9di\u00e9vale de la mythologie pa\u00efenne.<\/p><p>\u00c9milie S\u00e9ris : Profane et sacr\u00e9 dans la bucolique au Trecento. Vt ethereo resonarent carmine ualles.<\/p><p>Anne Bouscharain : La po\u00e9sie pastorale chez le Mantouan. L\u2019Adulescentia, cr\u00e9ation d\u2019une Arcadie chr\u00e9tienne.<\/p><p>Suzanne Laburthe : Les sc\u00e8nes de la nativit\u00e9 dans l\u2019\u0153uvre du po\u00e8te Jean Salmon Macrin. Entre profane et sacr\u00e9.<\/p><p>Bruno Garnier : L\u2019h\u00e9ritage dramatique de Jephthes de Buchanan. La conscience souffrante comme ressort tragique.<\/p><p><strong>QUATRI\u00c8ME PARTIE : TH\u00c9OLOGIE ET PO\u00c9TIQUE<\/strong><\/p><p>Florent Rouill\u00e9 : Alain de Lille, po\u00e8te et proph\u00e8te. Transgression et usurpation dans l\u2019Anticlaudianus.<\/p><p>Laure Hermand-Schebat : Le r\u00f4le des dominicains dans la r\u00e9futation de la th\u00e9ologie po\u00e9tique. De Giovannino de Mantoue \u00e0 Savonarole (xive-xve si\u00e8cles).<\/p><p>Rachel Darmon : Transmettre un savoir sur les dieux pa\u00efens \u00e0 la Renaissance. L\u2019entreprise mythographique de Georgius Pictorius.<\/p><p>George Hugo Tucker : \u00ab Lyre chrestienne \u00bb et \u00ab lyre prophane \u00bb chez Joachim Du Bellay.<\/p><p>Bibliographie g\u00e9n\u00e9rale.<\/p><p>Index des auteurs anciens.<\/p><p>Index des \u0153uvres anonymes.<\/p><p>R\u00e9sum\u00e9s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bec6aaf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bec6aaf\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-22e3c4c\" data-id=\"22e3c4c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c7543c9 elementor-widget elementor-widget-image\" data-id=\"c7543c9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"61\" height=\"60\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2009\/12\/stella.jpg\" class=\"attachment-large size-large wp-image-3009\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-75806f2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"75806f2\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1ed82ea\" data-id=\"1ed82ea\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9334fc3 elementor-widget elementor-widget-menu-anchor\" data-id=\"9334fc3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"menu-anchor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-menu-anchor\" id=\"congres2\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cf70804 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cf70804\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7706bb8\" data-id=\"7706bb8\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-824efd5 elementor-widget elementor-widget-heading\" data-id=\"824efd5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Actes du deuxi\u00e8me congr\u00e8s<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9a32348 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9a32348\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2acac66\" data-id=\"2acac66\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8afad61 elementor-widget elementor-widget-text-editor\" data-id=\"8afad61\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>La lyre et la pourpre.\u00a0Po\u00e9sie, et politique de l\u2019Antiquit\u00e9 tardive \u00e0 la Renaissance. Dirig\u00e9 par\u00a0Nathalie Catellani-Dufr\u00eane et Perrin Michel.<\/p><p><span style=\"font-family: Roboto, sans-serif; font-size: 14px; font-style: normal; font-weight: 400;\">\u21d2 Actes publi\u00e9s aux <a href=\"https:\/\/books.openedition.org\/pur\/56583?lang=fr\">Presses universitaires de Rennes<\/a>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-ac1bee3\" data-id=\"ac1bee3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5ab014f elementor-widget elementor-widget-image\" data-id=\"5ab014f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"584\" height=\"299\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/lyre-pourpre-defile.jpg\" class=\"attachment-large size-large wp-image-1330\" alt=\"La lyre et la pourpre ; po\u00e9sie latine et politique de l&#039;Antiquit\u00e9 tardive \u00e0 la Renaissance\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/lyre-pourpre-defile.jpg 585w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/lyre-pourpre-defile-300x154.jpg 300w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/lyre-pourpre-defile-200x103.jpg 200w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/lyre-pourpre-defile-500x256.jpg 500w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5d721f6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5d721f6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2fb8f84\" data-id=\"2fb8f84\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a89ae96 elementor-widget elementor-widget-text-editor\" data-id=\"a89ae96\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>TABLE DES MATI\u00c8RES<\/strong><\/p><p>Marc Deramaix et Olivier P\u00e9deflous : Introduction<\/p><p>Pascale Bourgain : Prologue. Le lexique du profane et du sacr\u00e9 au Moyen \u00c2ge.<\/p><p><strong>PREMI\u00c8RE PARTIE : LE TR\u00d4NE, LA VILLE ET L\u2019AUTEL. SOCI\u00c9T\u00c9, ID\u00c9AUX, ANTHROPOLOGIE<\/strong><\/p><p>Simone Viarre : Le profane et le sacr\u00e9 dans l\u2019\u00c9pop\u00e9e de Paderborn.<\/p><p>Marie-Genevi\u00e8ve Grossel : Les espaces du sacr\u00e9 \u00e0 l\u2019\u00e9preuve de la traduction. La translation des Vitae Patrum pour Blanche de Navarre, r\u00e9gente (1201-1222) du comt\u00e9 de Champagne.<\/p><p>Florent Coste : La confusion du spirituel et du temporel. Judas, Simon le Magicien et la simonie au xiiie si\u00e8cle.<\/p><p>Anne Raffarin : Les fonctions de la litt\u00e9rature chr\u00e9tienne dans la reconstruction de la Rome pa\u00efenne. Le cas particulier du Liber pontificalis.<\/p><p>Sandra Provini : Sacralisation et glorification des guerres d\u2019Italie par les po\u00e8tes des cours de Charles VIII et de Louis XII.<\/p><p>Nathalie Catellani : La figure du Prince dans l\u2019\u0153uvre de George Buchanan. De l\u2019\u00e9piphanie au tyrannicide ?<\/p><p>Carine Ferradou : Le De Iure regni apud Scotos de George Buchanan (1579). Une conception s\u00e9cularis\u00e9e de la politique ?<\/p><p>Catherine Langlois-P\u00e9zeret : \u00c9tienne Dolet, humaniste la\u00efc.<\/p><p><strong>DEUXI\u00c8ME PARTIE : \u00c0 L\u2019\u00c9COLE DU PROFANE ET DU SACR\u00c9<\/strong><\/p><p>Louise Katz : La lecture morale de l\u2019Antiquit\u00e9 profane dans le projet \u00e9ditorial de Josse Bade.<\/p><p>Tristan Vigliano : Sacr\u00e9, profane, th\u00e9ologie, philosophie. Quelques figures de la retusio dans le De disciplinis de Jean-Louis Viv\u00e8s.<\/p><p><strong>TROISI\u00c8ME PARTIE : FORMES DE L\u2019\u00c9VANG\u00c9LISATION GENRES EN MOUVEMENT<\/strong><\/p><p>Jean-Yves Tilliette : L\u2019hymnographie des saints, d\u2019Augustin d\u2019Hippone \u00e0 Thomas d\u2019Aquin<\/p><p>\u00c9vrard Delbey : La probl\u00e9matique du profane et du sacr\u00e9 est-elle pertinente dans les \u00e9l\u00e9gies chr\u00e9tiennes de Venance Fortunat ?<\/p><p>Olivier Szerwiniack : Sacr\u00e9 et profane dans le psautier de Luttrell.<\/p><p>Gis\u00e8le Besson : Vrais et \u00ab faux \u00bb th\u00e9ologiens. Le champ de la th\u00e9ologie dans une r\u00e9\u00e9criture m\u00e9di\u00e9vale de la mythologie pa\u00efenne.<\/p><p>\u00c9milie S\u00e9ris : Profane et sacr\u00e9 dans la bucolique au Trecento. Vt ethereo resonarent carmine ualles.<\/p><p>Anne Bouscharain : La po\u00e9sie pastorale chez le Mantouan. L\u2019Adulescentia, cr\u00e9ation d\u2019une Arcadie chr\u00e9tienne.<\/p><p>Suzanne Laburthe : Les sc\u00e8nes de la nativit\u00e9 dans l\u2019\u0153uvre du po\u00e8te Jean Salmon Macrin. Entre profane et sacr\u00e9.<\/p><p>Bruno Garnier : L\u2019h\u00e9ritage dramatique de Jephthes de Buchanan. La conscience souffrante comme ressort tragique.<\/p><p><strong>QUATRI\u00c8ME PARTIE : TH\u00c9OLOGIE ET PO\u00c9TIQUE<\/strong><\/p><p>Florent Rouill\u00e9 : Alain de Lille, po\u00e8te et proph\u00e8te. Transgression et usurpation dans l\u2019Anticlaudianus.<\/p><p>Laure Hermand-Schebat : Le r\u00f4le des dominicains dans la r\u00e9futation de la th\u00e9ologie po\u00e9tique. De Giovannino de Mantoue \u00e0 Savonarole (xive-xve si\u00e8cles).<\/p><p>Rachel Darmon : Transmettre un savoir sur les dieux pa\u00efens \u00e0 la Renaissance. L\u2019entreprise mythographique de Georgius Pictorius.<\/p><p>George Hugo Tucker : \u00ab Lyre chrestienne \u00bb et \u00ab lyre prophane \u00bb chez Joachim Du Bellay.<\/p><p>Bibliographie g\u00e9n\u00e9rale.<\/p><p>Index des auteurs anciens.<\/p><p>Index des \u0153uvres anonymes.<\/p><p>R\u00e9sum\u00e9s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-452fb9e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"452fb9e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-73c01dd\" data-id=\"73c01dd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-503a907 elementor-widget elementor-widget-image\" data-id=\"503a907\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"61\" height=\"60\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2009\/12\/stella.jpg\" class=\"attachment-large size-large wp-image-3009\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c60eee3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c60eee3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-908d018\" data-id=\"908d018\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a835307 elementor-widget elementor-widget-menu-anchor\" data-id=\"a835307\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"menu-anchor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-menu-anchor\" id=\"congres3\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6d00ad3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6d00ad3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-719db30\" data-id=\"719db30\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-09c57e6 elementor-widget elementor-widget-heading\" data-id=\"09c57e6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Actes du troisi\u00e8me congr\u00e8s : Rh\u00e9torique, stylistique et po\u00e9tique : entre th\u00e9orie et pratique<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6b8c304 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6b8c304\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-40e95a4\" data-id=\"40e95a4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3b6c510 elementor-widget elementor-widget-text-editor\" data-id=\"3b6c510\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1616a31\" style=\"border: 0px; font-family: Raleway, Helvetica, Arial, sans-serif; font-size: 13px; font-style: normal; font-weight: 300; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; box-sizing: border-box; min-height: 1px; position: relative; display: flex; width: 292px; color: #373737; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" data-id=\"1616a31\" data-element_type=\"column\"><div class=\"elementor-column-wrap elementor-element-populated\" style=\"border: 0px; font-family: inherit; font-size: 13px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 10px; vertical-align: baseline; box-sizing: border-box; position: relative; display: flex; width: 292px;\"><div class=\"elementor-widget-wrap\" style=\"border: 0px; font-family: inherit; font-size: 13px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; box-sizing: border-box; position: relative; width: 272px; flex-wrap: wrap; align-content: flex-start; display: flex;\"><div class=\"elementor-element elementor-element-8350e27 elementor-widget elementor-widget-text-editor\" style=\"border: 0px; font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: 13px; font-style: inherit; font-weight: var( --e-global-typography-text-font-weight ); margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; box-sizing: border-box; position: relative; color: var( --e-global-color-text ); width: 272px;\" data-id=\"8350e27\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><div class=\"elementor-widget-container\" style=\"border: 0px; font-family: inherit; font-size: 13px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; box-sizing: border-box; transition: background 0.3s ease 0s, border 0.3s ease 0s, border-radius 0.3s ease 0s, box-shadow 0.3s ease 0s, -webkit-border-radius 0.3s ease 0s, -webkit-box-shadow 0.3s ease 0s;\"><div class=\"elementor-text-editor elementor-clearfix\" style=\"border: 0px; font-family: inherit; font-size: 13px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; box-sizing: border-box;\"><p>Sous la direction d\u2019Anne Bouscharain et Dani\u00e8le James-Raoul.<\/p><p style=\"border: 0px; font-family: Roboto, sans-serif; font-size: 14px; font-style: normal; font-weight: 400; margin: 0px 0px 1.625em; outline: 0px; padding: 0px; vertical-align: baseline; line-height: 1.7; box-sizing: border-box;\">\u21d2 Actes publi\u00e9s aux Presses Universitaires de Bordeaux (<a style=\"border: 0px; font-family: inherit; font-size: 14px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: #1982d1; text-decoration: none; box-sizing: border-box; box-shadow: none;\" href=\"http:\/\/www.pub-editions.fr\/index.php\/ouvrages\/champs-disciplinaires\/lettres\/collection-eidolon\/rhetorique-poetique-et-stylistique-moyen-age-renaissance.html\" target=\"_blank\" rel=\"noopener noreferrer\">lien<\/a>).<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-93d7177\" data-id=\"93d7177\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-da6ae81 elementor-widget elementor-widget-image\" data-id=\"da6ae81\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"299\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/eidolon112-defilant.jpg\" class=\"attachment-large size-large wp-image-1326\" alt=\"\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/eidolon112-defilant.jpg 585w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/eidolon112-defilant-300x154.jpg 300w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/eidolon112-defilant-200x103.jpg 200w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/eidolon112-defilant-500x256.jpg 500w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-01b4418 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"01b4418\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ddb7da3\" data-id=\"ddb7da3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ee2fbc6 elementor-widget elementor-widget-text-editor\" data-id=\"ee2fbc6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Dani\u00e8le James-Raoul. Avertissement.<br \/>Anne Bouscharain et Dani\u00e8le James-Raoul. Introduction.<\/p><p><b>Partie I : R\u00e9ception de mod\u00e8les antiques.<br \/><\/b>Anne-Isabelle Bouton : \u00ab\u00a0Langage et herm\u00e9neutique dans les ex\u00e9g\u00e8ses de la <em>Gen\u00e8se<\/em> de saint Augustin\u00a0\u00bb<br \/>Michel Perrin : \u00ab\u00a0Un exemple de la survie de la rh\u00e9torique antique \u00e0 l&rsquo;\u00e9poque carolingienne : Cic\u00e9ron chez Alcuin et Raban Maur.<br \/>Sandrine B\u00e9douret : \u00ab\u00a0Enjeux po\u00e9tiques du nombre, comme \u00e9l\u00e9ment constitutif du vers\u00a0\u00bb.<br \/>Giuseppe Germano : \u00ab\u00a0Nouvelles fonctions de l&rsquo;\u00e9rudition mythologique classique dans la po\u00e9sie de Giovanni Pontano : exemples des <em>Hendec<\/em>. II, 24 et de <em>l&rsquo;Urania<\/em> I, 970-1023.<br \/>Gianluca del Noce : \u00ab\u00a0Historiographie et rh\u00e9torique \u00e9pidictique dans les <em>Feretrana<\/em>, recueil d&rsquo;\u00e9pigrammes biographiques de Giovambatista Cantalicio.<br \/>Thomas Penguilly : \u00ab\u00a0<em>Pictoribus atque Poetis<\/em>, etc. L&rsquo;hybride et la po\u00e9tique de l&#8217;embl\u00e8me : d&rsquo;Horace \u00e0 Alciat.<br \/>Christiane Deloince-Louette : \u00ab\u00a0De Virgile \u00e0 Denisot : une pratique romanesque du commentaire rh\u00e9torique\u00a0\u00bb.<br \/>\u00c9l\u00e9onore Villalba : \u00ab\u00a0Les<em> Hymni et Secula<\/em> de Benito Arias Montano (1593) : Horace au service de l&rsquo;\u00e9loquence sacr\u00e9e.<br \/>Lucie Claire : \u00ab\u00a0<em>De ratione scribendae historiae<\/em> : mod\u00e8les et contre-mod\u00e8les antiques selon Famiano Strada\u00a0\u00bb.<\/p><p><b>Partie II : Autour de la th\u00e9orie.<br \/><\/b>Thibault Radomme : \u00ab\u00a0L&rsquo;utilit\u00e9, le plaisir et le jeu. Comparaison des po\u00e9tiques de Marbode de Rennes et Baudri de Bourgueil\u00a0\u00bb.<br \/>C\u00e9dric Giraud : \u00ab\u00a0De la grammaire l&rsquo;\u00e9thique : le <em>Metalogicon<\/em> (I, 13-25) et l&rsquo;<em>Entheticus de dogmate philosophorum<\/em> (v. 25-166) de Jean de Salisbury.<br \/>Florent Rouill\u00e9 : \u00ab\u00a0L&rsquo;influence de Jean de Hanville et de Bernard Silvestre sur Gervais de Melkley dans son <em>Ars versificatoria<\/em>\u00ab\u00a0.<br \/>Elsa Marguin-Hamon : \u00ab\u00a0Le style comme fonction d&rsquo;\u00e9crire dans la <em>Parisiana Poetria<\/em> de Jean de Garlande (ca 1220-1225)\u00a0\u00bb.<br \/>Dani\u00e8le James-Raoul : \u00ab\u00a0Traduire les arts po\u00e9tiques m\u00e9diolatins\u00a0\u00bb.<br \/>Alice Lamy : \u00ab\u00a0La rh\u00e9torique scolastique : un rayonnement doctrinal, de la logique \u00e0 l&rsquo;\u00e9thique\u00a0\u00bb.<br \/>H\u00e9l\u00e8ne Casanova-Robin : \u00ab\u00a0<em>Aures demulcere<\/em>. La perception auditive de la po\u00e9sie au Quattrocento : de la divine extase \u00e0 la<em> dignitas aurium<\/em>\u00ab\u00a0.<br \/>\u00c9lisabeth Piazza : \u00ab\u00a0Quelques \u00e9l\u00e9ments sur la transmission du trait\u00e9 de rh\u00e9torique de Martianus Capella \u00e0 la Renaissance\u00a0\u00bb.<br \/>Virginie Leroux et \u00c9milie S\u00e9ris : \u00ab\u00a0Constituer une anthologie de Po\u00e9tiques n\u00e9o-latines\u00a0\u00bb.<\/p><p><b>Partie III : \u00c9tudes de cas : l&rsquo;art et la mani\u00e8re.<br \/><\/b>Jean-Yves Tilliette : \u00ab\u00a0Sexe, magie et rh\u00e9torique au milieu du xie si\u00e8cle : la <em>Rhetorimachia<\/em> d&rsquo;Anselme de Besate\u00a0\u00bb.<br \/>Samuel Molin : \u00ab\u00a0L&rsquo;\u00e9closion de l&rsquo;\u00e9criture m\u00e9taphorique chez Chr\u00e9tien de Troyes\u00a0\u00bb.<br \/>Lucilla Spetia : \u00ab\u00a0Le travail de l&rsquo;abeille ou le travail de l&rsquo;imitation cr\u00e9atrice : le cas du <em>Partenopeus de Blois<\/em>\u00ab\u00a0.<br \/>Marie Bedel : \u00ab\u00a0La rh\u00e9torique du portrait dans l&rsquo;<em>Historia destructionis Troiae<\/em> de Guido delle Colonne\u00a0\u00bb.<br \/>Laure Hermand-Sch\u00e9bat : \u00ab\u00a0Th\u00e9orie et pratique du genre \u00e9pistolaire chez P\u00e9trarque :<em> ars dictamnis<\/em> et lettre humaniste\u00a0\u00bb.<br \/>Marc Deramaix : \u00ab\u00a0Actius et l&rsquo;<em>Actius<\/em> : <em>exempla<\/em> stylistiques de Virgile chez Sannazar et mod\u00e8le stylistique virgilien chez Pontano\u00a0\u00bb.<br \/>Aline Smeesters : \u00ab\u00a0Le g\u00e9n\u00e9thliaque selon les Scaliger, p\u00e8re et fils\u00a0\u00bb.<br \/>Carine Ferradou : \u00ab\u00a0L&rsquo;esth\u00e9tique de la concentration dans les trag\u00e9dies sacr\u00e9es latines de George Bucanan (1506-1582) : une pr\u00e9figuration de la \u00ab\u00a0r\u00e8gle des trois unit\u00e9s\u00a0\u00bb ?\u00a0\u00bb.<br \/>Nathalie Catellani : \u00ab\u00a0L&rsquo;esth\u00e9tique \u00e9pigrammatique dans les trait\u00e9s po\u00e9tiques latins du xvie si\u00e8cle\u00a0\u00bb.<\/p><p>Bibliographie.<br \/>Index nominum.<br \/>Index rerum.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-07b69c0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"07b69c0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bafba1d\" data-id=\"bafba1d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cb3e251 elementor-widget elementor-widget-image\" data-id=\"cb3e251\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"61\" height=\"60\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2009\/12\/stella.jpg\" class=\"attachment-large size-large wp-image-3009\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3400e2d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3400e2d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-48178ba\" data-id=\"48178ba\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-653632a elementor-widget elementor-widget-menu-anchor\" data-id=\"653632a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"menu-anchor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-menu-anchor\" id=\"congres4\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cdadc6c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cdadc6c\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-18fa23e\" data-id=\"18fa23e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2cd135f elementor-widget elementor-widget-heading\" data-id=\"2cd135f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Actes du quatri\u00e8me congr\u00e8s : 'Apta compositio'. Formes du texte latin au Moyen Age et \u00e0 la Renaissance<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6cfa282 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6cfa282\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2dec1a2\" data-id=\"2dec1a2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0b153e9 elementor-widget elementor-widget-text-editor\" data-id=\"0b153e9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\"><div dir=\"auto\"><span style=\"font-size: 13px; color: var( --e-global-color-text );\">Dirig\u00e9 par C. DELOINCE-LOUETTE, M. FURNO et V. MEOT-BOURQUIN), Gen\u00e8ve, Droz, 2017<\/span><\/div><\/div><p style=\"font-family: Roboto, sans-serif; font-style: normal; font-weight: 400;\">\u21d2 Actes publi\u00e9s chez Droz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-6ee78a9\" data-id=\"6ee78a9\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c37e1f4 elementor-widget elementor-widget-image\" data-id=\"c37e1f4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"299\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/apta-compositio-defilant.jpg\" class=\"attachment-large size-large wp-image-1324\" alt=\"\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/apta-compositio-defilant.jpg 585w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/apta-compositio-defilant-300x154.jpg 300w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/apta-compositio-defilant-200x103.jpg 200w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2020\/11\/apta-compositio-defilant-500x256.jpg 500w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e094a40 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e094a40\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6b82f59\" data-id=\"6b82f59\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5a32393 elementor-widget elementor-widget-text-editor\" data-id=\"5a32393\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Pr\u00e9sentation par l&rsquo;\u00e9diteur<\/strong><\/p><p>L\u2019\u00e9tude de la mise en forme des textes a fait ces derni\u00e8res ann\u00e9es l\u2019objet de travaux importants depuis ceux, pionniers, d\u2019Henri-Jean Martin. On sait qu\u2019une m\u00eame \u0153uvre acquiert des signifcations diff\u00e9rentes quand sa mise en texte et en page se transforme, que le texte appara\u00eet bien souvent comme \u00ab uneforme de l\u2019intention \u00bb qui fait intervenir plusieurs \u00ab co-\u00e9laborateurs \u00bb (l\u2019auteur, le typographe, le destinataire ou lecteur) et dont la r\u00e9alisation d\u00e9finitive sur la page est le produit d\u2019une tension entre un projet et les difficult\u00e9s qu\u2019il rencontre.<\/p><p>Au croisement de l\u2019histoire du livre, de la rh\u00e9torique et de l\u2019histoire des id\u00e9es,les vingt et une contributions ici r\u00e9unies, issues du IVe congr\u00e8s de la Soci\u00e9t\u00e9 d\u2019Etudes M\u00e9dio et N\u00e9o-latines (Semen-l), montrent comment la mise en formemat\u00e9rielle et intellectuelle des textes latins au Moyen Age et \u00e0 la Renaissanceconditionne leur r\u00e9ception, en interrogeant \u00e0 la fois leurs dispositifs mat\u00e9riels, leurs choix rh\u00e9toriques et leurs pratiques \u00e9ditoriales.<\/p><p><em><strong>Presentation by the editor<\/strong><\/em><\/p><p><em><span style=\"font-family: Roboto, sans-serif; font-size: 14px; font-weight: 400;\">This volume contains the proceedings from the Fourth Congress of theSoci\u00e9t\u00e9 d\u2019Etudes M\u00e9dio et N\u00e9o-latines (Semen-L) and sits at the crossroads of the history of the book, rhetoric, and the history of ideas. The papers presented in this volume analyze how the practical and intellectual processes of editing Latin texts in the Middle Ages and in the Renaissance conditioned the reception of those texts by questioning practical processes, rhetorical choices, and publishing practices.<\/span><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9a57ded elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9a57ded\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-89bd5c0\" data-id=\"89bd5c0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-27379a6 elementor-widget elementor-widget-text-editor\" data-id=\"27379a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">TABLE DES MATI\u00c8RES<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">C. DELOINCE-LOUETTE, M. FURNO, V. M\u00c9OT-BOURQUIN : Introduction<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\"><strong>LE NOUVEAU ET L\u2019ANCIEN<\/strong><\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Christine NOILLE : Comment sortir le latin du mus\u00e9e ? R\u00e9volution typographique, r\u00e9volution num\u00e9rique.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">B. GAUVIN, C. JACQUEMARD, M.-A. LUCAS-AVENEL : De l\u2019incunable \u00e0 l\u2019\u00e9dition num\u00e9rique : le <em>Tractatus de piscibus de l\u2019Hortus sanitatis.<\/em><\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\"><strong>MISES EN PAGE<\/strong><\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">C\u00e9cile CONDUCH\u00c9 : Mise en page d\u2019Eutych\u00e8s.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Estelle INGRAND-VARENNE : Inscriptions encadr\u00e9es\/encadrantes : de l\u2019usage du cadre dans les inscriptions m\u00e9di\u00e9vales.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Francine MORA : La mise en page du <em>Commentaire sur l\u2019\u00c9n\u00e9ide<\/em> attribu\u00e9 \u00e0 Bernard Silvestre dans deux manuscrits des XIIIe et XVe si\u00e8cles : indices de r\u00e9ceptions distinctes.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Elie BORZA : \u00ab Cum scholiis locupletissimis \u00bb : les pages de titre d\u2019\u00e9ditions et de traductions de Sophocle au XVIe si\u00e8cle.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Max ENGAMMARE : Le titre de la bible latine de Gutenberg (ca 1455) \u00e0 la Sixtocl\u00e9mentine de 1592.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\"><strong>MISES EN ORDRE<\/strong><\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Dani\u00e8le JAMES-RAOUL : La <em>dispositio<\/em> dans l\u2019<em>Ars versificatoria<\/em> de Matthieu de Vend\u00f4me.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Alice LAMY : La tradition textuelle du <em>Tim\u00e9e<\/em>, de l\u2019Antiquit\u00e9 au Moyen Age ou la gageure de l\u2019insaisissable, entre \u00e9nigme et fragments.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Claude LA CHARIT\u00c9 :<em> Veluti per transennam<\/em>. Formes de l\u2019annotation dans les travaux de philologie m\u00e9dicale de Rabelais.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Thomas PENGUILLY : <em>Exiliens infans sinuosi e faucibus anguis<\/em> : Effets de seuil et effets de sens dans les <em>Emblemata<\/em> d\u2019Andr\u00e9 Alciat.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Christiane DELOINCE-LOUETTE : Typographie et rh\u00e9torique : l\u2019exemple des traductions latines et fran\u00e7aises de l\u2019Iliade au XVIe si\u00e8cle.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Martine FURNO<\/div><div dir=\"auto\">L\u2019<em>Ad Censuras theologorum parisiensium responsio<\/em> de Robert Estienne : un \u00ab dossier de textes \u00bb pour l\u2019honneur d\u2019une vie.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Paule DESMOULI\u00c8RE : La place du latin dans les recueils collectifs de po\u00e9sie fun\u00e8bre aux XVIe et XVIIe si\u00e8cles.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\"><strong>MISES EN OEUVRE<\/strong><\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Marie-Genevi\u00e8ve GROSSEL : Du vers latin au vers roman : chants de rossignol et horloge de la passion.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Val\u00e9rie FASSEUR : La<em> Consolation de Philosophie<\/em> de Bo\u00e8ce, ses traductions du XIIIe si\u00e8cle et sa r\u00e9criture par Jean de Meun : vers, prose, exemplum et glose.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Florent COSTE : Valences des compilations m\u00e9diolatines.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Anne RAFFARIN : De quel(s) texte(s) les planches du <em>Simulachrum Vrbis<\/em> (Marco Fabio Calvo, avril 1527) sont-elles l\u2019illustration ?<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Anne-Pascale POUEY-MOUNOU : Les suggestions du livre ouvert : autour de quelques mises en forme des <em>Adages<\/em>.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Laurence BOUL\u00c8GUE : Du m\u00eame \u00e0 l\u2019autre : des trait\u00e9s \u00e9thiques et politiques d\u2019Agostino Nifo \u00e0 l\u2019\u00e9dition des <em>Opuscula<\/em> (1645) par G. Naud\u00e9.<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">Lucie CLAIRE : Sur la publication posthume des commentaires de Marc-Antoine Muret (Augsbourg et Ingolstadt, 1600-1604).<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">BIBLIOGRAPHIE<\/div><\/div><div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\" style=\"overflow-wrap: break-word; margin-top: 0.5em; white-space: pre-wrap; font-family: 'Segoe UI Historic', 'Segoe UI', Helvetica, Arial, sans-serif; color: #050505; font-size: 15px; font-style: normal; font-weight: 400; text-align: left;\"><div dir=\"auto\">INDEX DES NOMS PROPRES<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-61e4426 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"61e4426\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-13c70f1\" data-id=\"13c70f1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dfbf924 elementor-widget elementor-widget-image\" data-id=\"dfbf924\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"61\" height=\"60\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2009\/12\/stella.jpg\" class=\"attachment-large size-large wp-image-3009\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fe35d7f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fe35d7f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-50dcd41\" data-id=\"50dcd41\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d7402a2 elementor-widget elementor-widget-menu-anchor\" data-id=\"d7402a2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"menu-anchor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-menu-anchor\" id=\"congres5\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-221ea0f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"221ea0f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e419438\" data-id=\"e419438\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4b19253 elementor-widget elementor-widget-heading\" data-id=\"4b19253\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Actes du cinqui\u00e8me congr\u00e8s : Rire et sourire dans la litt\u00e9rature latine au Moyen \u00c2ge et \u00e0 la Renaissance<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-dee2d48 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"dee2d48\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-f293657\" data-id=\"f293657\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fc90f34 elementor-widget elementor-widget-text-editor\" data-id=\"fc90f34\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\"><div dir=\"auto\"><span style=\"font-size: 13px; color: var( --e-global-color-text );\">Dirig\u00e9 par Brigitte Gauvin et Catherine Jacquemard<\/span><\/div><\/div><p style=\"font-family: Roboto, sans-serif; font-style: normal; font-weight: 400;\">\u21d2 Actes publi\u00e9s aux \u00c9ditions universitaires de Dijon, dans la collection \u00ab\u00a0\u00c9critures\u00a0\u00bb.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-3609c36\" data-id=\"3609c36\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-69b0865 elementor-widget elementor-widget-image\" data-id=\"69b0865\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/12\/rire-et-sourire.jpg\" class=\"attachment-large size-large wp-image-839\" alt=\"\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/12\/rire-et-sourire.jpg 200w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/12\/rire-et-sourire-150x150.jpg 150w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2019\/12\/rire-et-sourire-140x140.jpg 140w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a697aad elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a697aad\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4c48d1f\" data-id=\"4c48d1f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7a018b2 elementor-widget elementor-widget-text-editor\" data-id=\"7a018b2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1>Sommaire<\/h1><h1><strong style=\"color: #333333;\">Gauvin, C. Jacquemard ; Introduction Le sens du rire<\/strong><\/h1><p><strong>Nicolas Casellato (<\/strong>Sorbonne Universit\u00e9 Lettres) &#8211; <em>O qualis facies et quae mutatio Romae : <\/em>formes et aspects de la satire anticl\u00e9ricale dans les <em>Amores <\/em>de Conrad Celtis (1502)<\/p><p><strong>Luca Core (<\/strong>Universit\u00e9 de Padoue) &#8211; Les ambitions du rire de l\u2019\u00e2ne Brunellus<\/p><p><strong>Marie-Genevi\u00e8ve Grossel <\/strong>(Universit\u00e9 de Valenciennes) \u2013 \u00ab <em>Nugae curialium \u00bb<\/em>, humour et d\u00e9rision dans l\u2019oeuvre de Gautier Map<\/p><p><strong>Alice Lamy <\/strong>(EA 4081 Rome et ses renaissances) &#8211; Les affres du rire dans le <em>Roman de la Rose<\/em><\/p><h1>Les formes du rire<\/h1><p><strong>Pascale Bourgain <\/strong>(\u00c9cole Nationale des Chartes) &#8211; Rire d&rsquo;inversion, rire de subversion dans la po\u00e9sie lyrique m\u00e9di\u00e9vale.<\/p><p><strong style=\"font-size: inherit; letter-spacing: inherit; color: var( --e-global-color-text );\">Lucilla Spetia (<\/strong><span style=\"font-size: inherit; letter-spacing: inherit; color: var( --e-global-color-text );\">Universit\u00e9 dell&rsquo;Aquila (Italie)) &#8211; La pastourelle m\u00e9dio-latine : parodie ou ironie ?<\/span><\/p><p><strong>Sylvie Laigneau-Fontaine <\/strong>(Universit\u00e9 de Bourgogne) &#8211; Le rire du <em>sodalitium Lugdunense <\/em><strong>D\u00e9borah Boijoux <\/strong>(Universit\u00e9 de Nantes, EA 4276 L&rsquo;AMo) &#8211; \u00ab Ahahe ! \u00bb ou l\u2019\u00e9clat de rire miroitant et diffract\u00e9 d\u2019Antonio Urceo Codro, po\u00e8te philologue \u00e0 la cour des Bentivoglio (Bologne, fin du XVe si\u00e8cle).<\/p><p><strong>Emilie S\u00e9ris (<\/strong>Sorbonne Universit\u00e9 Lettres) &#8211; <em>Mi ioca, mi risus, placuit mihi uterque Cupido <\/em>: les \u00e9pigrammes latines d\u2019Ange Politien, entre rire et sourire.<\/p><p>\u00a0<\/p><h1>Pr\u00e9sence du rire des Anciens<\/h1><p><strong>Samuel Molin <\/strong>(Universit\u00e9 Bordeaux Montaigne, EA 4593 CLARE) &#8211; Ovide travesti. Stylistique de la <em>materia iocosa <\/em>dans la branche I de l&rsquo;<em>Ysengrimus <\/em>: lecture de quelques comparaisons et m\u00e9taphores<\/p><p><strong>Mathieu Ferrand <\/strong>(Universit\u00e9 Grenoble Alpes, UMR 5316 Litt&amp;Arts) &#8211; Quand les cochons parlaient latin : L\u2019<em>Advocatus<\/em>, com\u00e9die de coll\u00e8ge (Paris, 1533)<\/p><p><strong>Thomas Penguilly <\/strong>(EA 7289 CECJI) &#8211; <em>Huiusmodi, hercle, Aristophanes si cerneret\u2026 : <\/em>La premi\u00e8re traduction latine des <em>Nu\u00e9es <\/em>d\u2019Aristophane par Andr\u00e9 Alciat<\/p><h1>Th\u00e9oriser le rire<\/h1><p><strong>Christiane Deloince-Louette <\/strong>(Universit\u00e9 de Grenoble-Alpes, UMR 5316 Litt&amp;Arts) &#8211; T\u00e9rence fait-il rire M\u00e9lanchthon ?<\/p><p><strong>Lucie Claire <\/strong>(UPJV, EA 4284 TrAme) &#8211; Les commentaires humanistes au chapitre sur le rire de Quintilien : de Lorenzo Valla \u00e0 Adrien Turn\u00e8be<\/p><p><strong>Virginie Leroux <\/strong>(EPHE) &#8211; Rire et sourire dans les po\u00e9tiques n\u00e9o-latines de la Renaissance<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a10c2f0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a10c2f0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-21f9ccc\" data-id=\"21f9ccc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-19cd1fa elementor-widget elementor-widget-image\" data-id=\"19cd1fa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"61\" height=\"60\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2009\/12\/stella.jpg\" class=\"attachment-large size-large wp-image-3009\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c78bf8d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c78bf8d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e79da38\" data-id=\"e79da38\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c692b34 elementor-widget elementor-widget-menu-anchor\" data-id=\"c692b34\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"menu-anchor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-menu-anchor\" id=\"congres6\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-934012c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"934012c\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7273561\" data-id=\"7273561\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4c2ec42 elementor-widget elementor-widget-heading\" data-id=\"4c2ec42\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Actes du sixi\u00e8me congr\u00e8s : <\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7297e9d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7297e9d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-77176e7\" data-id=\"77176e7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-894b0cf elementor-widget elementor-widget-text-editor\" data-id=\"894b0cf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\"><div dir=\"auto\">Sous la direction de Sylvie Laigneau-Fontaine, Estelle Oudot et J\u00e9r\u00e9mie Pinguet<\/div><div dir=\"auto\">\u00a0<\/div><div dir=\"auto\"><span style=\"font-family: Roboto, sans-serif;\">\u21d2 Actes publi\u00e9s en ligne dans <a href=\"https:\/\/www.saprat.fr\/instrumenta\/revues\/revue-en-ligne-camenae\/camenae-n29-decembre-2023\/\">le n\u00b029 de la revue en ligne <em>Camenae<\/em><\/a><\/span><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-b6cf360\" data-id=\"b6cf360\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-adf94ae elementor-widget elementor-widget-image\" data-id=\"adf94ae\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.saprat.fr\/instrumenta\/revues\/revue-en-ligne-camenae\/camenae-n29-decembre-2023\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"826\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-724x1024.jpg\" class=\"attachment-large size-large wp-image-2216\" alt=\"\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-724x1024.jpg 724w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-212x300.jpg 212w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-768x1086.jpg 768w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-1086x1536.jpg 1086w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-1448x2048.jpg 1448w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-141x200.jpg 141w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2022\/05\/congres-dijon-scaled.jpg 1810w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7c1ab8e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7c1ab8e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-805d0e5\" data-id=\"805d0e5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ebfcde7 elementor-widget elementor-widget-text-editor\" data-id=\"ebfcde7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Sommaire<\/strong><\/p><p>Sylvie Laigneau-Fontaine :\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/1-laigneau-fontaine-sylvie-introduction.pdf\">Introduction.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/2-sarti-laury.pdf\">Laury Sarti : \u00ab La \u00ab\u00a0langue des Romains\u00a0\u00bb : le discours sur le latin dans le monde byzantin (du VIIe au XIe si\u00e8cle) \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/3-ploton-nicollet-francois.pdf\">Fran\u00e7ois Ploton-Nicollet : \u00ab Savoir parcellaire et objet de prestige : le grec dans les\u00a0<em>scriptoria<\/em>\u00a0monastiques gaulois du haut Moyen \u00c2ge \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/4-lamy-alice.pdf\">Alice Lamy : \u00ab Le vocabulaire grec antique \u00e0 l\u2019\u00e9preuve du latin m\u00e9di\u00e9val : l\u2019exemple de Guillaume de Conches (XIIe si\u00e8cle \u00bb).<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/5-gauvin-brigitte.pdf\">Brigitte Gauvin : \u00ab Latin et grec dans les encyclop\u00e9dies latines : l\u2019exemple des ichtyonymes \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/6-freyburger-marie-laure.pdf\">Marie-Laure Freyburger-Galland : \u00ab La (re)d\u00e9couverte du grec par les humanistes dans le Rhin sup\u00e9rieur \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/7-bouscharain-anne.pdf\">Anne Bouscharain : \u00ab L\u2019\u00e9dition bilingue de Th\u00e9ognis de M\u00e9gare par \u00c9lie Vinet (Paris, 1543) et la p\u00e9dagogie du grec dans l\u2019humanisme aquitain \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/8-claire-lucie.pdf\">Lucie Claire : \u00ab Lectures humanistes de Denys d\u2019Halicarnasse : \u00e0 propos de Thucydide \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/9-hermand-schebat-laure.pdf\">Laure Hermand-Sch\u00e9bat : \u00ab Lire T\u00e9rence \u00e0 la Renaissance, avec ou sans le grec : les exemples d\u2019Ange Politien et Josse Bade \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/10-jeannot-tirole-marie.pdf\">Marie Jeannot-Tirole : \u00ab L\u2019<em>H\u00e9cube<\/em>\u00a0d\u2019\u00c9rasme, bien plus qu\u2019une traduction ? \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/11-conte-sophie-.pdf\">Sophie Conte : \u00ab \u00c9dition et traduction de Jean Chrysostome : \u00c9rasme et ses successeurs \u00e0 l\u2019\u00e9poque moderne \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2024\/07\/camenae-29-n-12-amherdt-david-2.pdf\">David Amherdt : \u00ab Le grec au service de l\u2019<em>humanitas<\/em>\u00a0: le\u00a0<em>De utilitate et praestantia Graecae linguae<\/em>\u00a0de Conrad Gessner \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2024\/07\/camenae-29-n-13-sanchi-luigi-alberto-2.pdf\">Luigi-Alberto Sanchi : \u00ab La r\u00e9flexion de Guillaume Bud\u00e9 sur le grec dans les\u00a0<em>Commentaires de la langue grecque<\/em>\u00a0\u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/14-seris-emilie.pdf\">\u00c9milie S\u00e9ris : \u00ab\u00a0<em>Utraque lingua<\/em>\u00a0: le latin et le grec, topos des\u00a0<em>Elogia uirorum illustrium<\/em>\u00a0de Paul Jove \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/15-wolff-etienne.pdf\">\u00c9tienne Wolff : \u00ab Aspects du bilinguisme latin-grec chez \u00c9rasme : remarques sur les\u00a0<em>Adages<\/em>\u00a0\u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/16-penguilly-thomas.pdf\">Thomas Penguilly : \u00ab\u00a0<em>Graecae et Romanae linguae fretus subsidiis<\/em>. L\u2019hell\u00e9nisme d\u2019Andr\u00e9 Alciat entre lecture, traduction et creation \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/17-dietrich-marc.pdf\">Marc Dietrich : \u00ab\u00a0<em>Ex aequo coniuncta<\/em>\u00a0: l\u2019int\u00e9gration de la langue grecque dans la prose n\u00e9o-latine de Luscinius \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/18-gay-aurelie.pdf\">Aur\u00e9lie Gay : \u00ab La cohabitation du latin et du grec dans les\u00a0<em>Selecta Eipgrammata<\/em>\u00a0de Janus Cornarius : la concr\u00e9tisation d\u2019un id\u00e9al humaniste ? \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/19-hirstein-james.pdf\">James Hirstein : \u00ab La fin grecque et fran\u00e7aise de l\u2019<em>Histoire d\u2019Allemagne en trois livres<\/em>\u00a0(1531) de Beatus Rhenanus de S\u00e9lestat : une interpr\u00e9tation du\u00a0<em>misopogon<\/em>\u00a0de Julien (341C) \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/20-charlet-beatrice.pdf\">B\u00e9atrice Charlet-Mesdjian : \u00ab Le rapport au grec dans les\u00a0<em>Poemata<\/em>\u00a0d\u2019Agrippa d\u2019Aubign\u00e9 et les po\u00e9sies de Constant d\u2019Aubign\u00e9 \u00bb.<\/a><\/p><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2023\/12\/21-barton-william-.pdf\">William M. Barton : \u00ab La langue grecque dans le journal intime de C.-B. Hase \u00bb.<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7747fcb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7747fcb\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-96ed5a6\" data-id=\"96ed5a6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-22100e1 elementor-widget elementor-widget-image\" data-id=\"22100e1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"61\" height=\"60\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2009\/12\/stella.jpg\" class=\"attachment-large size-large wp-image-3009\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-496ee2f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"496ee2f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-20143be\" data-id=\"20143be\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-45a321f elementor-widget elementor-widget-menu-anchor\" data-id=\"45a321f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"menu-anchor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-menu-anchor\" id=\"congres7\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7e63020 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7e63020\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-dcc8bc0\" data-id=\"dcc8bc0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c3c53e6 elementor-widget elementor-widget-heading\" data-id=\"c3c53e6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Actes du septi\u00e8me congr\u00e8s : Latin du Moyen \u00c2ge, latin de l\u2019\u00e9poque moderne et enseignement<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4d2c341 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4d2c341\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-3ebd913\" data-id=\"3ebd913\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f9346fc elementor-widget elementor-widget-text-editor\" data-id=\"f9346fc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\"><div dir=\"auto\">Sous la direction de Lucie Claire, Anne-H\u00e9l\u00e8ne Klinger-Doll\u00e9, Alice Lamy et Fran\u00e7ois Ploton-Nicollet<\/div><div dir=\"auto\">\u00a0<\/div><div dir=\"auto\"><span style=\"font-family: Roboto, sans-serif;\">\u21d2 Actes publi\u00e9s en ligne dans <a href=\"https:\/\/www.saprat.fr\/instrumenta\/revues\/revue-en-ligne-camenae\/camenae-n34-octobre-2025\/\">le n\u00b034 de la revue en ligne <em>Camenae<\/em><\/a><\/span><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-c47ddbd\" data-id=\"c47ddbd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7a8f66e elementor-widget elementor-widget-image\" data-id=\"7a8f66e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.saprat.fr\/instrumenta\/revues\/revue-en-ligne-camenae\/camenae-n34-octobre-2025\/\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"826\" src=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit-724x1024.jpg\" class=\"attachment-large size-large wp-image-2723\" alt=\"\" srcset=\"http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit-724x1024.jpg 724w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit-212x300.jpg 212w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit-768x1086.jpg 768w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit-1086x1536.jpg 1086w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit-1448x2048.jpg 1448w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit-141x200.jpg 141w, http:\/\/www.semen-l.org\/wp-content\/uploads\/2023\/03\/affiche-congres-2024-petit.jpg 1500w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5d59b0a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5d59b0a\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-582331a\" data-id=\"582331a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5a0fc6f elementor-widget elementor-widget-text-editor\" data-id=\"5a0fc6f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1>Sommaire<\/h1><p><a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-0-introduction-1.pdf\">Introduction<\/a>\u00a0par Anne-H\u00e9l\u00e8ne Klinger-Doll\u00e9\u00a0<\/p><p><strong>I.\u00a0<\/strong><strong>L\u2019enseignement et la p\u00e9dagogie, objets d\u2019\u00e9criture litt\u00e9raire<\/strong><\/p><p>C\u00e9line Robert,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-1-celine-robert-1.pdf\">\u00ab L\u2019\u00e9p\u00eetre V de Raoul Tortaire (XI<sup>e<\/sup>-XII<sup>e<\/sup>\u00a0si\u00e8cle), un t\u00e9moignage sur l\u2019enseignement et sur la relation entre ma\u00eetre et disciple au Moyen \u00c2ge\u00a0\u00bb<\/a><\/p><p>Marie-Agn\u00e8s Lucas-Avenel,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-2-marie-agnes-lucas-avenel-1.pdf\">\u00ab Les satires de Garnier de Rouen contre des ma\u00eetres de grammaire et de musique (d\u00e9but du XI<sup>e\u00a0<\/sup>si\u00e8cle)\u00a0\u00bb<\/a><\/p><p>Beatrice Charlet-Mesdjian,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-3-beatrice-charlet-mesdjian-1.pdf\">\u00ab\u00a0\u00c9ducateurs et \u00e9ducation chez les Strozzi, p\u00e8re et fils\u00a0\u00bb<\/a><\/p><p>\u00c9milie S\u00e9ris,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-4-emilie-seris-1.pdf\">\u00ab\u00a0P\u00e9dagogie et psychologie. La lettre\u00a0<em>De ira<\/em>\u00a0d\u2019Ange Politien\u00a0\u00bb<\/a><\/p><p>David Amherdt,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-5-david-amherdt-1.pdf\">\u00ab L\u2019enseignement dans la biographie et l\u2019autobiographie \u00e0 Zurich au XVI<sup>e\u00a0<\/sup>si\u00e8cle\u00a0\u00bb<\/a><\/p><p><strong>II. \u00c9crire pour la classe : pratiques de professeurs et contextes institutionnels<\/strong><\/p><p>Jean-Yves Tilliette,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-6-jean-yves-tilliette-2.pdf\">\u00ab\u00a0Une salle de classe dans l\u2019Angleterre des environs de l\u2019An Mil\u00a0: les\u00a0<em>Colloques<\/em>\u00a0d\u2019\u00c6lfric Bata\u00a0\u00bb<\/a><\/p><p>Federica Rossetti,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-7-federica-rossetti-1.pdf\">\u00ab\u00a0L\u2019\u00e9ducation des jeunes et l\u2019enseignement du latin dans l\u2019\u0153uvre de Celio Secondo Curione\u00a0\u00bb<\/a><\/p><p>Hannelore Pierre,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-8-hannelore-pierre-1.pdf\">\u00ab\u00a0\u00c9diter un po\u00e8te-professeur\u00a0: quelques indices de pratiques p\u00e9dagogiques au coll\u00e8ge de Guyenne d\u2019apr\u00e8s l\u2019\u00e9dition comment\u00e9e d\u2019Ausone par \u00c9lie Vinet (1580)\u00a0\u00bb<\/a><\/p><p>Anne Bouscharain,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-9-anne-bouscharain-1.pdf\">\u00ab\u00a0La\u00a0<em>Logistique<\/em>\u00a0d\u2019\u00c9lie Vinet, ou comment enseigner les premiers \u00e9l\u00e9ments d\u2019arithm\u00e9tique\u00a0\u00bb<\/a><\/p><p>Astrid Quillien,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-10-astrid-quillien-1.pdf\">\u00ab\u00a0Denis Lambin p\u00e9dagogue dans ses \u00e9ditions d\u2019auteurs anciens et ses\u00a0<em>orationes<\/em>\u00a0\u00bb<\/a><\/p><p><strong>III. Ancrage p\u00e9dagogique et interpr\u00e9tation des \u0153uvres litt\u00e9raires<\/strong><\/p><p>Marie Jeannot-Tirole,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-11-marie-jeannot-tirole-1.pdf\">\u00ab\u00a0Sapidus dans la\u00a0<em>Sylva epistolaris seu Barba.\u00a0<\/em>La r\u00e9surgence du p\u00e9dagogue derri\u00e8re le po\u00e8te\u00a0\u00bb<\/a><\/p><p>Carine Ferradou,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-12-carine-ferradou-1.pdf\">\u00ab\u00a0Pr\u00e9sences de Plaute dans la trag\u00e9die sacr\u00e9e latine\u00a0<em>Iephthes siue Votum<\/em>\u00a0de George Buchanan\u00a0: \u00e0 la crois\u00e9e des enjeux p\u00e9dagogiques et litt\u00e9raires\u00a0\u00bb<\/a><\/p><p>Christiane Deloince-Louette et Martine Furno,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-13-christiane-deloince-louette-1.pdf\">\u00ab\u00a0<em>Methodo accinctus\u2026\u00a0<\/em>ou comment d\u00e9voiler les secrets d\u2019une \u00e9pigramme\u00a0: Jean de Sponde et Lollius Adama\u00a0\u00bb<\/a><\/p><p>Lor\u00e8ne Bellanger, <a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-14-lorene-bellanger-1.pdf\">\u00ab\u00a0Les\u00a0<em>Carmina<\/em>\u00a0de Jean Commire, un recueil n\u00e9o-latin scolaire\u00a0?\u00a0\u00bb<\/a><\/p><p><strong>IV. N\u00e9o-latin et innovation p\u00e9dagogique dans l\u2019enseignement secondaire et sup\u00e9rieur<\/strong><\/p><p>Laure Hermand-Schebat et Pascale Par\u00e9-Rey,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-15-laure-hermand-pascale-pare-1.pdf\">\u00ab\u00a0L\u2019argument, outil didactique n\u00e9o-latin, au service de la p\u00e9dagogie aujourd\u2019hui\u00a0\u00bb<\/a><\/p><p>Smaranda Marculescu,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-16-smaranda-marculescu-1.pdf\">\u00ab\u00a0Neolatinlyon, une \u00e9cole th\u00e9matique au service du n\u00e9o-latin\u00a0\u00bb<\/a><\/p><p>Anne-H\u00e9l\u00e8ne Klinger-Doll\u00e9,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-17-anne-helene-klinger-dolle-1.pdf\">\u00ab\u00a0<em>Imago. Lire du latin illustr\u00e9\u00a0<\/em>: un site internet p\u00e9dagogique de n\u00e9o-latin au service des latinistes en formation\u00a0\u00bb<\/a><\/p><p>Philippe Chom\u00e9ty, Mathieu Ferrand et Anne-H\u00e9l\u00e8ne Klinger-Doll\u00e9,\u00a0<a href=\"https:\/\/www.saprat.fr\/wp-content\/uploads\/2025\/12\/camenae-34-n-18-LUDUS2-2.pdf\">\u00ab Textes du spectacle \u2018<em>Ludus\u00a0<\/em>! Quand l\u2019\u00e9cole \u00e9tait un jeu\u2019 \u00bb<\/a><\/p><div>Illustration du num\u00e9ro : T\u00e9rence publi\u00e9 par Gr\u00fcninger \u00e0 Strasbourg (1496), exemplaire de la Biblioth\u00e8que humaniste de S\u00e9lestat<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Cette page en travaux comportera prochainement la pr\u00e9sentation et le sommaire des actes des congr\u00e8s de la SEMEN-L. Premier congr\u00e8s Deuxi\u00e8me congr\u00e8s Troisi\u00e8me congr\u00e8s Quatri\u00e8me congr\u00e8s Cinqui\u00e8me congr\u00e8s Sixi\u00e8me congr\u00e8s Septi\u00e8me congr\u00e8s Actes du premier congr\u00e8s : Le profane et &hellip; <a href=\"https:\/\/www.semen-l.org\/?page_id=1504\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":26,"featured_media":1149,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1504","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Volumes collectifs de la SEMEN-L - Soci\u00e9t\u00e9 d&#039;\u00c9tudes M\u00e9dio Et N\u00e9o-Latines<\/title>\n<meta name=\"description\" content=\"Pr\u00e9sentation des volumes d&#039;actes de congr\u00e8s de la SEMEN-L, concernant le m\u00e9diolatin et le n\u00e9o-latin (sommaires, r\u00e9sum\u00e9s).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.semen-l.org\/?page_id=1504\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Volumes collectifs de la SEMEN-L - 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